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This is a strikingly inventive and unusual portrait of the most successful English writer for children (until J. K. Rowling), Enid Blyton, who entertained millions worldwide with her myriad adventure stories and mysteries but was herself both an adventure and a mystery. This book is for everyone who ever wondered what kind of woman Enid Blyton was. Enid Blyton gave us the Famous Five and Fatty's Find-Outers, the Enchanted Wood and the Wishing Chair. Some of us, encouraged by austere critics, have pretended no longer to want what Enid gave. We have pretended that we were not once upon a time enthralled by her stories. We have chosen to forget how much we loved the time we spent in their company. And we have feigned disdain. Now, Duncan McLaren offers lapsed devotees the possibility of honest redemption. If you're willing to acknowledge that Enid Blyton once mattered to you, you are warmly invited to accompany Duncan on an adventure that will investigate what made Enid Enid and endeavour to reach the source of her torrent of stories, those that came when she was 'letting her mind go free'.
Duncan McLaren rescued Edinburgh from bankruptcy. He led the Scottish campaign against the corn laws. Married to John Bright's sister, he was the voice of radicalism and Dissent. Assiduous in Parliament, he became known as `The Member for Scotland'. Called a `snake' by The Scotsman, he successfully sued for libel. This is the story of a Victorian titan unfairly forgotten. --Book Jacket.
The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing -- of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities' highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature o...
Upcycle this book. Rewrite it as a manifesto. Steal and take and copy and change this book. Upcycle these twenty-three texts just as I have upcycled so many other texts and responded to many sets of existing conditions. Or unlike I have. Treat these words as existing conditions. Some of them are artworks. Some of them upcycle artworks by others. Some are barely texts at all. . . . Often the words are a script to be performed. Its useful to read words out loud in public. Gavin Wade is pragmatic utopian, an artist, artist-curator, artist-writer and one of the founding directors of Eastside Projects in Birmingham, UK. He has curated numerous exhibitions as well as written and published a number of bookssuch as Has Man a Function in Universe? (Book Works, 2008). Upcycle This Book was co-published by Book Works and Stroom den Haag in an edition of 1,000.
Evelyn Waugh's own life often provided inspiration for his fiction and equally often the experiences he was writing about were far from joyful. Vile Bodies and A Handful of Dirt grew out of heartache. Beginning with his own personal obsession with 'Decline and Fall', the author embarks on a real journey to many of the key places in Evelyn Waugh's life, discovering along the way new insights into the triangular relationship between Waugh, his wife and the man she left him for. McKaren charts the way Waugh's life feeds into his novels in a biography that is as surprising and funny as Waugh's own work"--Publisher's description.
"Here, spanning eight centuries, are the haunting ruins of Ireland. Its once great houses and castles, many designed for the Anglo-Irish aristocracy by the most accomplished architects of their day, bear witness to a troubled history of civil war, famine, land acts and private bankruptcy. Splendid in their prime, the ruins have absorbed the romantic beauty and mystery of the surrounding landscape - qualities captured in these seventy atmospheric photographs by Simon Marsden. Duncan McLaren's intriguing text weaves history and hearsay into one, vividly recalling the lives and fates of the people who lived there. These leftovers of another age inspire a sense of separateness, almost of desolation. Their peculiar charm makes them unique." "Originally published in 1980 and later acclaimed as a collector's item, this expanded edition features an additional thirty photographs by Simon Marsden, including eleven new locations. Duncan McLaren has completely revised his text to incorporate newly uncovered information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Russia: A World Apart is a haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia's rich and complex past. The architectural riches of Moscow and St Petersburg still exist for everyone to see, but when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world. McLaren relates how "The further from Moscow and St Petersburg, the more desolate and derelict the landscape became. Endless pot-holed roads pass thro...