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Poetic Inquiry: Vibrant Voices in the Social Sciences, co-edited by Monica Prendergast, Carl Leggo and Pauline Sameshima, features many of the foremost scholars working worldwide in aesthetic ways through poetry. The contributors (from five countries) are all committed to the use of poetry as a way to collect data, analyze findings and represent understandings in multidisciplinary social science qualitative research investigations. The creativity and high aesthetic quality of the contributions found in the collection speak for themselves; they are truly, as the title indicates, "vibrant voices". This groundbreaking collection will mark new territories in qualitative research and interpretive inquiry practices at an international level. Poetic Inquiry will contribute to many ongoing and energetic debates in arts-based research regarding issues of evaluation, aesthetics, ethics, activism, self-study, and practice-based research, while also spelling out some innovative ways of opening up these debates in creative and productive ways. Instructors and students will find the book a clear and comprehensive introduction to poetic inquiry as a research method.
Focusing on the prevailing ideas connected to cultural and social diversity, this collection of essays deploys a variety of critical methods originating from social, cultural, and literary theory to analyze the relationship between historical and social forces and recurrent cultural beliefs and values.
Political science interpretations of international relations tend to focus on abstract terms of economic interest, domination, rights and justice. Trapped within this limited horizon, the discipline fails to explain why nations of similar economic structure would have variant ideas for their foreign policies, and why nations with different economic structures and ideologies could develop a similar global posture during certain periods of their histories. This innovative study examines imperialism from a cultural and linguistic perspective, portraying the rise and fall of ancient Greek, Roman, medieval Islamic, modern British, Russian and American empires as a part of the natural life of world civilizations. As these imperial cultures matured through centuries of literary accumulation and interaction with other cultures, they finally found their confidence on the world stage and transitioned from an aggressive policy towards others to a more tolerant one.
In a globalizing world, frontiers may be in flux but they remain as significant as ever. New borders are established even as old borders are erased. Beyond lines on maps, however, borders are spatial zones in which distinctive architectural, graphic, and other design elements are deployed to signal the nature of the space and to guide, if not actually control, behaviour and social relations within it. This volume unpacks how manipulations of space and design in frontier zones, historically as well as today, set the stage for specific kinds of interactions and convey meanings about these sites and the experiences they embody. Frontier zones organize an array of functions to facilitate the pas...
In Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral storytelling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.
In Nationalism from the Margins Patricia Wood offers a fresh approach to the study of immigration adaptation and collective and individual identity formation. In analysing a century of Italian migration to Alberta and British Columbia Wood documents a multicultural experience and vision of Canada that long preceded the official policy of 1971. She argues that nationalism is not one idea but a "relationship of voices, speaking from varying levels of political and social power, and to varying audiences." The Italian understanding of what it means to belong to Canada does not require the abandonment of ethnic identity but instead demonstrates the ways in which layers of identity intersect. Wood...
The Poetics of Contemporary Narratives in the Arabic Diaspora presents a captivating exploration of the rich tapestry of Middle Eastern diasporic literature, spanning the landscapes of Canada and France. With eloquent prose, the author guides readers on an enthralling journey through the intricate interplay of themes, styles, tropes, and sociohistorical contexts. This monograph breathes life into an array of mesmerizing texts authored by luminaries including Wajdi Mouawad, Khaled Osman, Rawi Hage, Denis Villeneuve, and Soha Béchara whose literary roots span Lebanon and Switzerland. Through meticulous analysis and thoughtful reflection, this work unveils the profound resonance of these writers' voices across borders and cultures.
"Here is the book lover's literary tour of Florida, an exhaustive survey of writers, books, and literary sites in every part of the state. The state is divided into ten areas and each one is described from a literary point of view. You will learn what authors lived in or wrote about a place, which books describe the place, what important movies were made there, even the literary trivia which the true Florida book lover will want to know. You can use the book as a travel guide to a new way to see the state, as an armchair guide to a better understanding of our literary heritage, or as a guide to what to read next time you head to a bookstore or library."--Publisher.
Adonis's poetry and prose writings have aroused much controversy in the Arab world, both for their provocative content and their arresting style. Grounded in traditional poetic styles, Adonis developed a new way of expressing modern sentiments. Although influenced by classical poets, Adonis started at a relatively early age to experiment with the prose poem, giving it density, tension, metaphors, and rhythm. He also broke with the diction and style of traditional poems, introducing a new and powerful syntax and new imagery. Through his innovative use of language, imagery, and narrative technique, Adonis has played a leading role in the revolutionizing of Arabic literature. He has garnered ma...
In Islam the fascination for "the word" is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet's utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals - and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.