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Brazil's Northeast has traditionally been considered one of the country's poorest and most underdeveloped areas. In this impassioned work, the Brazilian historian Durval Muniz de Albuquerque Jr. investigates why Northeasterners are marginalized and stereotyped not only by inhabitants of other parts of Brazil but also by nordestinos themselves. His broader question though, is how "the Northeast" came into existence. Tracing the history of its invention, he finds that the idea of the Northeast was formed in the early twentieth century, when elites around Brazil became preoccupied with building a nation. Diverse phenomena—from drought policies to messianic movements, banditry to new regional political blocs—helped to consolidate this novel concept, the Northeast. Politicians, intellectuals, writers, and artists, often nordestinos, played key roles in making the region cohere as a space of common references and concerns. Ultimately, Albuqerque urges historians to question received concepts, such as regions and regionalism, to reveal their artifice and abandon static categories in favor of new, more granular understandings.
Este livro quer contribuir para que nesta época em que parecemos mais próximos, possamos compreender e aceitar as diferenças que nos separam, entendendo-as como produto de percursos distintos que os grupos humanos fizeram na história. O texto revela como conflitos entre grupos políticos no Brasil ajudaram a criar alguns estereótipos, e que conhecer alguns capítulos de nossa história e conhecer a pluralidade de nossa cultura, ajudará a desconstruí-los.
Esta publicação busca respostas para uma inusitada questão: a invenção do Nordeste, o surgimento de um recorte espacial, de um lugar imaginário e real no mapa do Brasil, que todos nós conhecemos profundamente, não importa de que maneira, mas que nunca pudemos imaginar com uma existência tão recente.
This book undertakes an interdisciplinary and cross-cultural interrogation of the Global South through the prisms of media and cultural studies. It closely explores the quotidian (re)territorialization, and brazen ruination of the material geographies of this vast expanse of the world by forces and proxies of (neo)colonialism and global capitalism of resource extraction. We cite the ongoing expulsion of Palestinians from their homelands by occupational forces, the emerging detritus dump across Mexico City and Lagos, the infrastructural precariousness of the favelas of Brazil, the unending resource-war in the Democratic Republic of Congo (DRC), and the flagrant operation of the oil industry i...
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM.Drawing on the rich personal archive of the geographer Josué de Castro, this book tells a new history of geography by following one of the twentieth century’s most influential and creative Brazilian intellectuals from the estuarine city of Recife to the halls of the UN, the chambers of Brasília, and exile amid the political fervour of the universities of Paris in 1968. This is the first English language book on the absorbing life of Josué de Castro. It follows modern anticolonial geographical thought in formation, re-readin...
"Drawing on interviews with artists and poets and on his own experiences in the Brazilian Northeast, Arons has written an account of how drought has impacted the region's culture. He intertwines ecological, social, and political issues with the words of some of Brazil's most prominent authors and folk poets to show how themes surrounding drought - hunger, migration, endurance, nostalgia for the land - have become deeply embedded in Nordeste identity. Through this tapestry of sources, Arons shows that what is often thought of as a natural phenomenon is actually the result of centuries of social inequality, political corruption, and unsustainable land use."--BOOK JACKET.
Annotation In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. Here, the author analyses four natural disasters in Latin America that acquired national significance and symbolism through literary mediation.
This book examines how Gilberto Freyre's notion of mestiçagem (race mixing) became the overwhelmingly dominant narrative of national identity in twentieth-century Brazil. It will be of interest to scholars and students interested in Brazil, Latin America, race, nationalism, national identity, and popular culture.
Based on ethnographic fieldwork, interviews, and historical research, this book uses a Brazilian quilombola community (descendants of enslaved Africans) as a case study to explore how memories, knowledge, and experience are transformed into cultural heritage.
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicalia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicalia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil...