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These letters give a unique glimpse into publishing history in Canada and tell a human story of two Canadian men of letters, one in his prime, the other at the end of his life.
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The Alexander Lectures for 1949-50. In his Preface, Professor Brown says, "Isolating a single element or group of elements in the novel, and considering it in unreal separation from all the other elements which it actually fuses, is artificial, but so is all criticism. The artificiality is justified if when one turns back from the criticism to the novels these appear more intelligible and more delightful. That is the test." Applying the test to Dr. Brown's present work, the method is more than justified by the results. they are titled: "Phrase, Character, Incident," "Expanding Symbols," "Interweaving Themes," and "Rhythm in E.M. Forster's A Passage to India."
Reference Sources for Canadian Literary Studies offers the first full-scale bibliography of writing on and in the field of Canadian literary studies. Approximately one thousand annotated entries are arranged by reference genre, with sub-groupings related to literary genre.
This thoughtful little volume features the full range of Arnold's poetry, including "Shakespeare", "Sohrab and Rustum", "Isolation", "To Marguerite", "To Marguerite--Continued", "Dover Beach", "The Future", "Thyrsis", and "Rugby Chapel". Edited by E K Brown, this selection is well supported by Arnold's preface to Poems (1853), an introduction, a list of principal dates in Arnold's life, and a bibliography.
The English Library of the University of Toronto presents information on Canadian poet Edwin John Pratt (1882-?). The library offers biographical information on Pratt, the full text of several of Pratt's poems, and a bibliography of his works.
Drawing on newly uncovered archives, The Only Wonderful Things offers a groundbreaking look at American novelist Willa Cather's creative process by arguing that the writer's life partner, magazine editor Edith Lewis, had a crucial impact on Cather's literary work.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies