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Dirty Love
Where does the Greek novel come from? This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to Homer, the novel revelled in its hybridisation with Persian, Egyptian and Jewish culture.
A Companion to Hellenistic Literature
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works
Local Knowledge and Microidentities in the Imperial Greek World
A reappraisal of current ideas about Greek identity under the Roman empire, first published in 2010.
The Damage Done
Think about the most wretched day of your life. Maybe it was when someone you loved died, or when you were badly hurt in an accident, or a day when you were so terrified you could scarcely bear it. No imagine 4,000 of those days in one big chunk. In 1978, Warren Fellows was convicted in Thailand of heroin trafficking and was sentenced to life imprisonment. The Damage Done is his story of an unthinkable nightmare in a place where sewer rats and cockroaches are the only nutritious food, and where the worst punishment is the khun deo - solitary confinement, Thai style. Fellows was certainly guilty of his crime, but he endured and survived human-rights abuses beyond imagination. This is not his plea for forgiveness, nor his denial of guilt; it is the story of an ordeal that no one would wish on their worst enemy. It is an essential read: heartbreaking, fascinating and impossible to put down.
4,000 Days
Biography, autobiography, and memoir is among the best ways to teach students to appreciate nonfiction reading.
The Cambridge Companion to the Greek and Roman Novel
The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.
Why Plato Wrote
Why Plato Wrote argues that Plato was not only the world’s first systematic political philosopher, but also the western world’s first think-tank activist and message man. Shows that Plato wrote to change Athenian society and thereby transform Athenian politics Offers accessible discussions of Plato’s philosophy of language and political theory Selected by Choice as an Outstanding Academic Title for 2011
The Romance Between Greece and the East
Twenty essays by renowned scholars explore contact between Greece and the Ancient Near East through the medium of prose fiction.
African Athena
African Athena examines the history of intellectuals and literary writers who contested the white, dominant Euro-American constructions of the classical past and its influence on the present.
Narrative and Identity in the Ancient Greek Novel
The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.
