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FLINT & FEATHER
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
FLINT & FEATHER
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Buckskin & Broadcloth
An exciting volume of anecdotes, letters, and poetry, illustrated with period photographs and new illustrations.
The White Wampum
"The White Wampum" is the first and the most famous collection of poems by E. Pauline Johnson, a Canadian writer and performer of Mohawk and English heritage. With vivid imagery, raw emotion, and a unique perspective, these poems are sure to captivate and inspire. Whether you're a lover of poetry or simply seeking a new perspective, this collection is a must-read.
Legends of Vancouver
DigiCat Publishing presents to you this special edition of "Legends of Vancouver" by E. Pauline Johnson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Canadian Born
Canadian Born (1895) is a collection of poems by E. Pauline Johnson. Revered as one the foremost indigenous Canadian poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. Canadian Born captures Johnson's range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Introducing her collection with a brief inscription, the poet lays out the political purpose of her work addressed to all "Canadian born" individuals, "whether he be [her] paleface compatriot who has given to [her] h...
Paddling Her Own Canoe
Frequently dismissed as a 'nature poet' and an 'Indian Princess' E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who 'talked back' to Euro-Canadian culture. Paddling Her Own Canoe is the only major scholarly study that examines Johnson's diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist. A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Ba...
7 best short stories by E. Pauline Johnson
Emily Pauline Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Not only was Johnson a poet and writer but she was a part of the New Woman movement due to the blending of her two cultures in her works and her criticisms of the Canadian government. Johnson was also a key figure in the construction of Canadian literature as an institution and has made an indelible mark on Indigenous women's writing and performance as a whole. This book contains: - The Shagganappi. - A Red Girl's Reasoning. - The King's Coin. - The Derelict. - Little Wolf-Willow. - Her Majesty's Guest. - The Brotherhood.
E. Pauline Johnson, Tekahionwake
The first complete collection of all of E. Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, along with a selection of her prose, including fiction, journalism, and discussions of gender and race.
The White Wampum
Emily Pauline Johnson (Tekahionwake) (1861- 1913), commonly known as E. Pauline Johnson, was a Canadian writer and performer. She is often remembered for her poems that celebrate her aboriginal heritage. One such poem is the frequently anthologised The Song my Paddle Sings. Her first full-length poem, My Little Jean, a sentimental piece written for her friend Jean Morton, first appeared in the New York publication Gems of Poetry in 1883. Throughout the 1880s she established herself as a Canadian writer and cultivated an audience amongst those who read her poetry in periodicals such as Globe, The Week, and Saturday Night. Her other works include: In the Shadows (1898), Canadian Born (1903), Ojistoh (1911), Legends of Vancouver (1911), Flint and Feather (1912), The Shagganappi (1913), The Moccasin Maker (1913), The Complete Poems (1924) and Legend of Siwash Rock (1952).
