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Collected Poems and Selected Prose
This collection reveals the full range of Charlotte Mew's work, showcasing the urgency and passion that compelled her to reinvent forms and prosodies to explore her complex pains and loves. With themes at the heart of feminist concerns, these poems illustrate her standing as an experimental modernist and a poet of formal precision.
E. Pauline Johnson, Tekahionwake
The first complete collection of all of E. Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, along with a selection of her prose, including fiction, journalism, and discussions of gender and race.
Flint And Feather
A graceful biography that was a #1 national bestseller, Flint & Feather confirms Charlotte Gray’s position as a master biographer, a writer with a rare gift for transforming a historical character into a living, breathing woman who immediately captures our imagination. In Flint & Feather, Charlotte Gray explores the life of this nineteenth-century daughter of a Mohawk chief and English gentlewoman, creating a fascinating portrait of a young woman equally at home on the stage in her “Indian” costume and in the salons of the rich and powerful. Uncovering Pauline Johnson’s complex and dramatic personality, Flint & Feather is studded with triumph and tragedy, mystery and romance—a first-rate biography blending turn-of-the-century Canadian history and the vibrant story of a woman whose unforgettable voice still echoes through the years.
Legends of Vancouver
Emily Pauline Johnson, who was also known by the Mohawk name Tekahionwake, was a Canadian poet and author born in 1861. Born to a Mohawk father and an English mother, she was known for introducing indigenous culture to a wider North American and European audience. In Legends of Vancouver, perhaps her best-known prose work, Johnson tells stories of the Squamish people, as relayed to her by Chief Joe Capilano, whom she befriended upon moving to Vancouver in 1909. She provides her own framing for these stories, placing them in the context of her relationship with the Squamish people. In 1911, a group of Johnson’s friends collected this series of stories, that had previously been published in the Daily Province, in order to raise funds to support her as she struggled with poverty and health issues. In the intervening years, Legends of Vancouver has become a foundational piece of Vancouver’s literary heritage.
Paddling Her Own Canoe
Bibliogr.: p. 281-313. és a jegyzetekben: p. 237-280.
Flint and Feather
This Is A New Release Of The Original 1922 Edition.
Flint and Feather (Classic Reprint)
Excerpt from Flint and Feather Andyetthathathermayhetheeagleplume that creststheheadofawarriorchief; sohothflintand leather hear the hall-mark of my Iohawk blood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Flint and Feather
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The White Wampum
E. Pauline Johnson's 'The White Wampum' is a collection of poignant poems that explore the intersection of Indigenous and settler cultures during the late 19th century. Johnson's lyrical style beautifully depicts the struggles and triumphs of the Mohawk people, offering insight into the complexities of relationships between different communities. The poetic imagery and themes of nature and spirituality add depth to the overarching narrative of cultural exchange and identity. Written with sensitivity and authenticity, 'The White Wampum' stands as a powerful testament to Johnson's unique perspective as a biracial author. Her ability to navigate the complexities of her dual heritage shines through in each verse, making the collection a compelling read for those interested in Canadian Indigenous literature. E. Pauline Johnson's 'The White Wampum' is a must-read for anyone seeking a deeper understanding of the cultural landscape of the late 19th century and the enduring legacy of Indigenous voices in Canadian literature.
FLINT & FEATHER
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
