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This book argues that R.G. Collingwood developed a complete and coherent political philosophy of civilization. In making this case it also demonstrates that Collingwood's philosophical work comprises a unity in which, although there was development, there is no fundamental discontinuity between his earlier and later writings. A philosophy of civilization must situate its subject matter within the full context of human experience and therefore Collingwood's political philosophy of civilization must be situated within the context of his whole philosophy. The book presents the case that Collingwood developed a coherent philosophy of politics and civilization, that this had its roots in both the early and the later work; and that his overall philosophical approach comprises a generally consistent and integrated whole.
In a series of biographical case studies, Portraits from Life examines how seven canonical Modernist writers - Joseph Conrad, Ford Madox Ford, Henry James, Wyndham Lewis, Gertrude Stein, H.G. Wells and Edith Wharton - depicted themselves in their memoirs and autobiographies.
In A Baroque Vision Nicholas Hagger chose key passages from his verse that convey the thread of his Baroque vision. In its companion volume The Essentials of Universalism he chooses key passages from his prose works that convey the thread of his Universalism, which grew out of his Baroque perspective. Hagger’s literary, mystical, religious, philosophical, historical, cultural and political Universalist writings are innovatory. In 60 books he has: set out a new approach to literature and identified its fundamental theme as a quest for the One, an infinite Reality perceived as Light, that alternates with condemnation of social follies and vices; presented many mystics’ illuminations; seen ...
Neil Broom, a biomechanics scientist, boldly challenges the scientific establishment's commitment to what he labels as the flimsily crafted but persuasively packaged myth of scientific materialism.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
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This is a critical handbook on T. S. Eliot’s poetical works and verse dramas with their text and critical interpretation for students of Asian and African countries. An exhaustive discussion is made through critical analysis of Eliot’s literary personality as a poet and theorist. Eliot exercised a strong influence on Anglo-American culture from the 1920s until late in the century. His experiments in diction, style, and versification revitalized English poetry, and in a series of critical essays, he shattered old orthodoxies and erected new ones. The publication of Four Quartets led to his recognition as the greatest living English poet and man of letters, and in 1948 he was awarded both ...
Contains also Proceedings of conferences of health officers, and lists of physicians.
Originally published in 1947. This book looks at contemporary conundrums in philosophical tendencies, bringing the reader a first-principles review of the purpose of such enquiries in relation to modern life. It presents the importance of the history of the development of philosophical thought, beginning in Part 1 with perception. Significant definitions and theories are identified and later refinements discussed – in particular conceptualism and its development from the Greeks through Berkeley to modern realism and its limitations and critiques. Part 2 brings problems identified by past thinkersto the fore, from Plato’s forms to Christian theology, in an examination of the apparent dich...
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