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James Earl Jones
One of America's great actors presents his life story, revealing the challenges he has faced and overcome, from his impoverished Mississippi childhood, through his years as a stutterer, to his artistic success.
The Blacks
An English translation of Genet’s classic symbolic drama, first performed in Paris in 1959. France’s master of the absurd explores racial prejudice and stereotypes using the framework of a play within a play. The New York Times hailed The Blacks as “one of the most original and stimulating evenings Broadway or Off Broadway has to offer,” while Newsweek raved that Genet’s plays “constitute a body of work unmatched for poetic and theatrical power.” “Genet’s investigation of the color black begins where most plays of this burning theme leave off. . . . This vastly gifted Frenchman uses shocking words and images to cry out at the pretensions and injustices of our world.” —Howard Taubman, The New York Times
To Be a Drum
Daddy Wes tells how Africans were brought to America as slaves, but promises his children that as long as they can hear the rhythm of the earth, they will be free.
James Earl Jones
Examines the life and career of the successful actor, James Earl Jones, who overcame a severe problem as a stutterer to become one of the most recognizable voices in entertainment.
James Earl Jones
Examines the life and career of the successful actor, James Earl Jones, who overcame a severe problem as a stutterer to become one of the most recognizable voices in entertainment.
Othello
In 1964, at the age of thirty-three, James Earl Jones won an Obie award for his portrayal of Othello in Joseph Papp's production in Central Park, New York. Over the next twenty-five years he went on to play the Moor a further six times, with his 1982 performance being described as 'definitive, masterly, magnificent'. He brings his vast wealth of experience to this book and articulates the themes and issues in the play, looking at the personal and universal significance of the drama.
The Great White Hope
"[The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration"--Back cover.
Ode to Grapefruit
Before legendary actor James Earl Jones was recognized for his memorable, smooth voice, he was just James--a stutterer who stopped speaking for eight years as a child...and ultimately found his voice through poetry. Before there was Mufasa...Before there was Darth Vader... There was a young boy names James Earl Jones, who spoke with a stutter and dreaded having to talk in class. Whenever James tried to voice his thoughts, his words got stuck in his throat. But James figured out a solution for his shame: if he didn't speak, he wouldn't stutter. And so he was silent...until he wrote his own poem, Ode to Grapefruit, and found a love for poetry. Lyrical text, stunning art, and compelling backmatter about stuttering pair together for a remarkable picture book about how a boy who refused to speak for eight years learned to manage his stutter through poetry--and grew up to become an EGOT-winning performer with a voice few could forget.
The Actor's Art
Bryer (English, U. of Maryland) and Davison (English, U. of Delaware) interviewed 17 seasoned actors about their professional lives, their views of American theater, and their perspectives on acting, the characters they've played, and the directors they've worked with. The interviews are presented in qanda format, and include the thoughts of Zoe Caldwell, Hume Cronyn and Jessica Tandy, Blythe Danner, Ruby Dee, George Grizzard, Julie Harris, Eileen Heckart, Cherry Jones, James Earl Jones, Stacy Keach, Shirley Knight, Nathan Lane, Jason Robards, Maureen Stapleton, and Eli Wallach and Anne Jackson. Annotation copyrighted by Book News Inc., Portland, OR
