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Maine's premier tourist destination, Bar Harbor has many historic buildings. The area was once a shipbuilding and farming hamlet that became a Gilded Age resort of the highest order-until a fire in 1947 destroyed many of its buildings. This pictorial history takes Bar Harbor from its origins to the fire. It also offers intriguing curiosities, including insights on the upstairs-downstairs aspects of resort life. The book's captions are packed with fascinating information.
Colonial Revival Maine provides an account of how this interest in the classical influences of colonial- and federal-era buildings engaged the imagination of a group of architects and their draftsmen in the late nineteenth century. Together, these designers created the charming streetscapes and bucolic retreats that today dot the Maine coast."
Cornelia Thurza Crosby (1854-1946) stood six feet tall, was the first woman to legally shoot a caribou in Maine, held the first Maine Guide license issued, caught 200 trout in one day (she was an early advocate of catch-and-release), did not believe women should have the vote, was friends with Annie Oakley, and worked tirelessly to promote the sporting life in Maine. Over a hundred turn-of-the-century photographs create a fascinating picture of the Maine woods and one of Maine's most unusual women.
A sweeping, richly illustrated architectural study of the large, historic New England coastal resort hotels
Antique postcards can be fascinating reminders of a bygone landscape or even clues to the present one. These thirty postcards give us a wonderful yesteryear trip up Route One in Maine from Kittery to Calais, with many stops along the way?tent cabins and roadsters at York, bathing beauties at Old Orchard Beach, a cabin built from one Maine pine at Freeport, downtown Camden looking much the same except for the automobiles, a giant ?lobster trap? to entrap tourists, and many more. With identifying captions written by Earle G. Shettleworth, Jr., director of the Maine Historic Preservation Commission, these postcards can be saved and savored, or sent off in the mail.
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From the 1860s through the 1880s, local photographer Henry Bailey captured all aspects of Victorian life after the Civil War in Maine's capital city. Bailey's rare stereoscopic images depict downtown Water Street, the industrial north end, Capitol Park, the Togus veterans home, and numerous public buildings, churches, and residences. Through these historic images, Victorian Augusta presents a view of the world through one man's lens. Most of the vintage photographs in this volume have come from the collection of the Maine Historic Preservation Commission, which has acquired many Bailey stereographs once owned by the photographer and his family.
In 1879, Carpentry and Building magazine launched its first house design competitionfor a cheap house. Forty-two competitions, eighty-six winning designs, and a slew ofnear winners and losers resulted in a body of work that offers an entire history of anarchitectural culture. The competitions represented a vital period of transition in delineating roles and responsibilities of architectural services and building trades. The contests helped to define the training, education, and values of "practical architects" and to solidify house-planning ideals. The lives and work of ordinary architects who competed in Carpentry and Building contests offer a reinterpretation of architectural professionali...