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Eastman Johnson; [retrospective Exhibition]
Studies the artistic development and significance of the American genre painter whose works reveal the influence of the Dutch masters. Bibilog.
Eastman Johnson
"Providing a comprehensive overview of Johnson's oeuvre within the context of his era, this volume will transform the study of the artist. The two curators and three other distinguished contributors reveal the true scope and diversity of Johnson's American subject matter, notably the thematic originality of his Civil War and Reconstruction imagery."--BOOK JACKET.
EASTMAN JOHNSON.
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Domestic Bliss
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Eastman Johnson
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Grand Themes
"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.
The Civil War and American Art
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Paintings and Sculpture in the Collection of the National Academy of Design: 1826-1925
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Sugaring Off
This lovely book provides the first comprehensive examination of Eastman Johnson's vivid paintings of a quintessential New England theme - the making of maple sugar. This series of pictures, executed during the 1860s, is perhaps the most ambitious project in the artist's career. Brian Allen discusses the ways in which Johnson's maple sugar paintings reflect a New England on the edge of vast changes, both in the technology of farming and in the social structures of small communities. He notes how Johnson conveys the tense, shifting relationship that existed between industrial innovation and New England's distinctive brand of community spirit, evident through maple sugar's close association with free labour, as opposed to cane sugar's connection with slavery. Presented here in full colour, Johnson's maple sugar paintings are both a celebration of New England and a commentary on a bygone era. This book is the catalogue for an exhibition organized by the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (January 18 to April 18, 2004), and traveling to The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California (May 11 to August 1, 2004).
