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Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World
The true story of five castaways abandoned on the Falkland Islands during the War of 1812—a tale of treachery, shipwreck, isolation, and the desperate struggle for survival. In Left for Dead, Eric Jay Dolin—“one of today’s finest writers about ships and the sea” (American Heritage)—tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable ...
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Kingship and Sacrifice
Valeri presents an overview of Hawaiian religious culture, in which hierarchies of social beings and their actions are mirrored by the cosmological hierarchy of the gods. As the sacrifice is performed, the worshipper is incorporated into the god of his class. Thus he draws on divine power to sustain the social order of which his action is a part, and in which his own place is determined by the degree of his resemblance to his god. The key to Hawaiian society—and a central focus for Valeri—is the complex and encompassing sacrificial ritual that is the responsibility of the king, for it displays in concrete actions all the concepts of pre-Western Hawaiian society. By interpreting and understanding this ritual cycle, Valeri contends, we can interpret all of Hawaiian religious culture.
Genealogical Data from Colonial New Haven Newspapers
Colonial newspapers are a prime source of genealogical data, and early New Haven, Connecticut newspapers, in particular, are rich in data on individuals who might not otherwise appear in the public records. This present work, a joint undertaking by Kenneth Scott and Rosanne Conway, contains abstracts of all items concerned with persons in New England mentioned in New Haven newspapers between 1755 and the outbreak of the Revolution, providing some 20,000 references to approximately 7,500 persons. Such findings are normally hard won, and the genealogist interested in early Connecticut has much to be grateful for. Particularly valuable for historical and genealogical research are lists of addre...
Liberty on the Waterfront
Through careful research and colorful accounts, historian Paul A. Gilje discovers what liberty meant to an important group of common men in American society, those who lived and worked on the waterfront and aboard ships. In the process he reveals that the idealized vision of liberty associated with the Founding Fathers had a much more immediate and complex meaning than previously thought. In Liberty on the Waterfront: American Maritime Culture in the Age of Revolution, life aboard warships, merchantmen, and whalers, as well as the interactions of mariners and others on shore, is recreated in absorbing detail. Describing the important contributions of sailors to the resistance movement against Great Britain and their experiences during the Revolutionary War, Gilje demonstrates that, while sailors recognized the ideals of the Revolution, their idea of liberty was far more individual in nature—often expressed through hard drinking and womanizing or joining a ship of their choice. Gilje continues the story into the post-Revolutionary world highlighted by the Quasi War with France, the confrontation with the Barbary Pirates, and the War of 1812.
Double Ghosts
This narrative recounts the 18th and 19th century shipping out of Pacific islanders aboard European and American vessels, a kind of counter-exploring, that echoed the ancient voyages of settlement of their island ancestors.
Global Trade and Visual Arts in Federal New England
A highly original and much-needed collection that explores the impact of Asian and Indian Ocean trade on the art and aesthetic sensibilities of New England port towns in the late eighteenth and early nineteenth centuries. This diverse, interdisciplinary volume adds to our understanding of visual representations of economic and cultural changes in New England as the region emerged as a global trading center, entering the highly prized East Indies trades. Examining a wide variety of commodities and forms including ceramics, textiles, engravings, paintings, architecture, and gardens, the contributors highlight New Englanders' imperial ambitions in a wider world. This book will appeal to a broad audience of historians and students of American visual art, as well as scholars and students of fine and decorative arts.
