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Alterations of Consciousness during Psychodrama and Sociodrama
Scientific Essay from the year 2003 in the subject Psychology - Consulting and Therapy, , language: English, abstract: Psychodrama and sociodrama participants in general, and protagonists in particular, often report that during a session their conscious experience is altered. Many are in fact drawn to experiential methods by their desire for this experience of heightened awareness. Psychodrama will be seen as altering most of the 14 dimensions of changed subjective experience that characterise altered states of consciousness (ASC’s). Psychodramatists need to be aware of both the dangers and benefits of experiencing altered states. As in hypnosis, the director needs to be especially careful not to elicit false memories or make strong suggestions.
Composing the Soul
A century-and-a-half after his birth, Nietzsche's importance and relevance as a thinker is greater than ever before, and yet a major perspective on his life and work has been left untried: the psychological approach. Composing the Soul is the first study to pay sustained attention to Nietzsche as a psychologist and to examine the contours of his psychology in the context of his life and psychological makeup. Featuring all new translations of quotations from Nietzsche's writings, Composing the Soul reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker.
The Theatre of Truth
Doctoral Dissertation, University of California, Berkeley, 1995ABSTRACT: Jacob Moreno, MD (1889-1974) is known today as the founder of psychodrama, which he defined as "the science which explores the 'truth' by dramatic methods." This dissertation investigates Moreno primarily as a theatre artist. It starts with a philosophical analysis of the concepts of acting, improvisation and spontaneity and then consolidates the elements of Moreno's theory of the nature and function of theatre, which are dispersed throughout his writings and have never been thoroughly collected in one place. It also examines how Moreno discovered the healing power of drama while he directed his Theatre of Spontaneity in Vienna 1920s and in New York 1930s. The appendix contains Moreno's earliest theatrical text, The Godhead as Comedian, translated for the first time in its entirety from the 1919 German edition. (325 pages, including 19 p. of German and English references, chronology) www.scheiffele.com
The Cambridge Companion to Nietzsche
The significance of Friedrich Nietzsche for twentieth century culture is now no longer a matter of dispute. He was quite simply one of the most influential of modern thinkers. The opening essay of this 1996 Companion provides a chronologically organised introduction to and summary of Nietzsche's published works, while also providing an overview of their basic themes and concerns. It is followed by three essays on the appropriation and misappropriation of his writings, and a group of essays exploring the nature of Nietzsche's philosophy and its relation to the modern and post-modern world. The final contributions consider Nietzsche's influence on the twentieth century in Europe, the USA, and Asia. New readers and non-specialists will find this the most convenient, accessible guide to Nietzsche currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Nietzsche.
Nietzsche and Asian Thought
Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from thinkers outside of the Anglo-American philosophical traditions as well. These essays address the connection between his ideas and ph
Das literarische Porträt
Die Arbeit untersucht Thomas Manns schriftstellerische Technik der Gestaltung von Romanfiguren nach Quellen, Vorbildern und Modellen und verwendet zur Beschreibung dieses Verfahrens den Begriff »Porträt«. Sie geht von der Tatsache aus, dass Thomas Mann auf autobiographische Erfahrungen und Erinnerungen an Verwandte, Freunde, Kollegen oder Zeitgenossen zurückgegriffen sowie Figuren, Szenerien und selbst kleinste Details nach Bildvorlagen gestaltet hat. Bei der Untersuchung der verschiedenen Schnittstellen zwischen gesellschaftlicher Wirklichkeit und literarischer Fiktion wird deutlich, dass das künstlerische Mittel des Porträts nicht nur jeweils dazu beiträgt, die einzelnen Schichten der sinnhaften Struktur zu konstituieren, sondern ein integraler Bestandteil des Romans ist.
Der offene Brief
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The Theatre of Truth
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Frontières, transferts, échanges transfrontaliers et interculturels
30 contributions essentiellement sur les frontières et zones de contact en Europe occidentale et centrale, dans une perspective interdisciplinaire, culturelle, politique, idéologique, littéraire et linguistique. Les germanistes y sont décrits comme "passeurs de frontières".
