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Alterations of Consciousness during Psychodrama and Sociodrama
Scientific Essay from the year 2003 in the subject Psychology - Consulting and Therapy, , language: English, abstract: Psychodrama and sociodrama participants in general, and protagonists in particular, often report that during a session their conscious experience is altered. Many are in fact drawn to experiential methods by their desire for this experience of heightened awareness. Psychodrama will be seen as altering most of the 14 dimensions of changed subjective experience that characterise altered states of consciousness (ASC’s). Psychodramatists need to be aware of both the dangers and benefits of experiencing altered states. As in hypnosis, the director needs to be especially careful not to elicit false memories or make strong suggestions.
Nietzsche and Asian Thought
Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from thinkers outside of the Anglo-American philosophical traditions as well. These essays address the connection between his ideas and ph
Nietzsche and Zen
In Nietzsche and Zen: Self-Overcoming Without a Self, André van der Braak engages Nietzsche in a dialogue with four representatives of the Buddhist Zen tradition: Nagarjuna (c. 150-250), Linji (d. 860), Dogen (1200-1253), and Nishitani (1900-1990). In doing so, he reveals Nietzsche's thought as a philosophy of continuous self-overcoming, in which even the notion of "self" has been overcome. Van der Braak begins by analyzing Nietzsche's relationship to Buddhism and status as a transcultural thinker, recalling research on Nietzsche and Zen to date and setting out the basic argument of the study. He continues by examining the practices of self-overcoming in Nietzsche and Zen, comparing Nietzsc...
Zen Buddhism Today
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Experiencing 'Flow' in Jazz Performance
The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of he...
Goethe Yearbook
The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in English during the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.
Fremdheit und Literatur
Inhalt Vorwort IV Einleitung 1 1. Problemlage 12 2. Theoretische Grundlagen 30 2.1. Phanomenologie des Fremden - Bernhard Waldenfels 30 2.1.1. Klassifizierung des Fremden nach Steigerungsgraden 35 2.2. Text und Kontext: Entfaltung und Reduktion 37 2.3. Wirklichkeit und Konstruktion 41 2.4. Dekonstruktion 43 2.5. Russischer Formalismus 46 3. Grundbegriffe 48 3.1. Literaturbegriff 48 3.2. Fremdheit als Rahmenbegriff der interkulturellen Germanistik 52 3.3. Interkulturalitat als Rahmenbegriff der interkulturellen Germanistik 60 3.4. Konsequenzen fur das Verstandnis von Literatur und interkultureller Literaturwissenschaft 67 4. Der Umgang mit dem Fremden 72 4.1. Alternativen fur den Umgang mit d...
Intertextualität als Konstruktionsprinzip
Die ironisch-spielerische Neuverwendung von populären Gattungen und tradierten Darstellungsweisen stellt ein bemerkenswertes Phänomen heutiger Literatur dar. Die vorliegende Arbeit analysiert diese Form von Intertextualität in Prosawerken von Peter Handke und Botho Strauß und führt damit differente Spielarten solcher Gattungs-Transformation vor. Beide Autoren -- die hier erstmals unter diesem erzähltechnischen Aspekt zusammengebracht werden -- verwenden zur Konstruktion ihrer Texte 'vorgefertigte' Erzählmodelle: den Kriminalroman und den romantischen Roman. Die Untersuchung zeigt, wie Handke und Strauß deren Bauelemente neuartig einsetzen und so innovative Erzählformen schaffen. Wie...
Interkulturalität
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