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LGBT+ Studies in Turkey
This volume brings together a selection of discussions on LGBT that are presented from different points of view and from different disciplines. This compilation consisting of nine chapters, focuses on the perspectives on LGBT in Turkey, in a broad range from NGOs to cinema, social policies to theatres. All chapters discuss Turkey and the studies of LGBT in Turkey and presented in two parts. First part is about the theoric and empirical studies which takes over Turkey experiences from a structural perspective. Still, in this first part, there are two chapters which explain the comparison of UK and EU experiences with Turkey. The second part has more of text analysis which indicates cultural studies.
Struggle and Survival under Authoritarianism in Turkey
After the Justice and Development Party (AKP) came to power in Turkey in 2002, the AKP grew into an authoritarian government as it politically and culturally oppressed citizens and institutions. In Struggle and Survival under Authoritarianism in Turkey: Theatre under Threat, Burcu Yasemin Şeyben argues that theatre was deliberately targeted because theatre institutions and companies embodied the cultural program of the statist and Kemalist cultural policy that has continually excluded Muslims and various religious and ethnic minorities. Although the AKP claimed to be replacing the top-down, discriminatory, and secular statist and Kemalist theatre system with a facilitative and inclusive one, the AKP gradually adapted a more authoritarian system, as evidenced by their efforts to close and defund theatres, ban plays, and force theatre artists to exile. Despite the AKP’s increasing oppression, Şeyben studies contemporary Turkish theatre to establish that a few theatre institutions, companies, and artists have managed to survive and develop democratic cultural policies and strategies that will outlive the AKP government.
The Routledge Companion to Contemporary European Theatre and Performance
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters...
The Palgrave Handbook of Theatre and Race
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Dramatische Rundschau 02
Eine Quote für neue Dramatik! So lautet die Forderung der ersten Dramatischen Rundschau. Weil das Zeitgenössische auf großen Theaterbühnen gezeigt werden will! Denn das Drama bebt weiter. Auch in der Dramatischen Rundschau 02: Ebru Nihan Celkan, Eleonore Khuen-Belasi, Annalena Küspert, Svealena Kutschke, Jakob Nolte, Ewald Palmetshofer, Thomas Perle und Nele Stuhler haben Theatertexte geschrieben, die sich schmerzhaft schön mit Gegenwart auseinandersetzen. In Band 2 der Dramatischen Rundschau sind abgedruckt: Ebru Nihan Celkan: Last Park Standing / Eleonore Khuen-Belasi: ruhig blut / Annalena Küspert: Juri / Svealena Kutschke: zu unseren füßen, das gold, aus dem boden verschwunden / Jakob Nolte: Die Glücklichen und die Traurigen / Ewald Palmetshofer: Die Verlorenen / Thomas Perle: karpatenflecken / Nele Stuhler: Gaia googelt nicht #dasdramalebt
Surf durch undefiniertes Gelände
Die Anthologie versammelt Theatertexte, die neue Narrative von Geschlecht und Identität wagen. Die Stückauswahl bildet den Versuch eines Querschnitts durch das bestehende Korpus zeitgenössischer Bühnentexte, die Alternativen jenseits der heterosexuellen Norm finden und nicht-binäre Realitäten greifbar machen. Marine Bachelot Nguyen beschreibt in Schatten und Lippen die Verwirklichung privater und politischer Wünsche vietnamesischer LGBTI*s vor dem Hintergrund postkolonialer Dynamiken. Dany Boudreaults hybrider, im Grenzbereich von Drama und Poesie angesiedelter Text Wir sind schön, für hässliche Leute widmet sich Fragen nach der Geschlechtsidentität, dem Außenblick und der Selbst...
KIRIK SAAT DERGİSİ 4. SAYI
TAHIR ELÇI İNSAN HAKLARI VAKFI KIRIK SAAT 3 Aylık Kültür Edebiyat Düşünce Dergisi E-ISSN: 2791-6669 ISSN: 2687-4059 SAYI: 4 TARİH: Şubat· Mart· Nisan 2021 *** EDİTÖRDEN Merhaba... Kırık Saat'in dördüncü benim ise bu sayfalardan ilk merhabam sizlere. Türkan Elçi ve Tahir Elçi Vakfı'ndan devraldığım dergimizin bu sayısını sadece kadın yazarlara yer vermek istedik. Çünkü İstanbul Sözleşmesi'nin ve maalesef kadına yönelik her türlü şiddet ve baskının gündemde olmaya devam ettiği bu günlerde sesimizi yükseltmek, hikâyelerimizi paylaşmak, var olduğumuzu bir kez daha hatırlatmamız gerekliliğine inanıyoruz. Düşüncenin özgürlüğüne, edebiya...
Muddying the Waters
In Muddying the Waters, Richa Nagar uses stories, encounters, and anecdotes as well as methodological reflections, to grapple with the complexity of working through solidarities, responsibility, and ethics while involved in politically engaged scholarship. Experiences that range from the streets of Dar es Salaaam to farms and development offices in North India inform discussion of the labor and politics of co-authorship, translation and genre blending in research and writing that cross multiple--and often difficult--borders, Nagar links the implicit assumptions, issues, and questions involved with scholarship and political action, and explores the epistemological risks and possibilities of creative research that brings these into intimate dialogue. Daringly self-conscious, Muddying the Waters reveals a politically engaged research and writer working to become "radically vulnerable," and on the ways a focus on such radical vulnerability could allow a re-imagining of collaboration that opens new avenues to collective dreaming and laboring across sociopolitical, geographical, linguistic, and institutional borders.
