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The Essence of Chaplin
Charlie Chaplin's remarkable life and comedic talent have been the focus of countless popular and scholarly studies. In this groundbreaking work, Chaplin's often underrated skills as a film director take center stage. Highlighting the screen icon's significance as a filmmaker, this study focuses on the heart of Chaplin's cinema--his silent works starring his alter-ego, Charlie--and examines both his great silent film features like The Kid, The Gold Rush and Modern Times, and his shorter, earlier films like The Immigrant, The Pawn Shop, The Pilgrim and A Dog's Life. An analysis of the formal properties of Chaplin's filmmaking reveals the merit of his cinema, the depth of its emotion and the extent of its meaning. Chaplin is among the great artists of any medium, in any time, with an ability to touch on very subtle aspects of the human condition.
Chaplin and American Culture
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Diplomatic Immunity
In recent years there have been an increasing number of incidents involving diplomats, such as the storming of the US embassy in Tehran and taking of hostages, and the murder of a British policewoman by a member of the Lybian mission in London. Other less serious ones, like the flouting of traffic regulations and the non-prosecution of those stealing, have brought the question of immunity into the public domain. Why, it is asked, should law-abiding citizens put up with lawless behaviour from those who can retreat into the sanctuary of an embassy?
Chaplin's War Trilogy
The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.
Charlie Chaplin
Charlie Chaplin was a skilled comedian, filmmaker and composer, and the mission of this book is to educate readers on the wide variety of Chaplin’s artistry: the subtlety of his mimetic satire, the sophistication of his film direction, and his prodigious musical skill that resulted in some of film’s greatest orchestral arrangements. This encyclopedia also emphasizes the singular nature of Chaplin’s biography: his unprecedented renown, the wide list of notables in art and culture with whom he fraternized, and the controversies that seemed to dog each stage of his life, perhaps most notably in his run-ins with the FBI and the House UnAmerican Activities Committee, both of whom suspected him of communist leanings. Charlie Chaplin: A Reference Guide to His Life and Works captures his life, and legacy. It features a chronology, an introduction that offers a brief account of his life, and a dictionary section listing entries on Chaplin’s childhood, career, family, and associates. The bibliography is one of the largest available of works concerning Chaplin.
Fixing the Facts
What is the role of intelligence agencies in strategy and policy? How do policymakers use (or misuse) intelligence estimates? When do intelligence-policy relations work best? How do intelligence-policy failures influence threat assessment, military strategy, and foreign policy? These questions are at the heart of recent national security controversies, including the 9/11 attacks and the war in Iraq. In both cases the relationship between intelligence and policy broke down—with disastrous consequences. In Fixing the Facts, Joshua Rovner explores the complex interaction between intelligence and policy and shines a spotlight on the problem of politicization. Major episodes in the history of A...
