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* How black people established their identities in the African diaspora.
Why did Gower choose to write his most famous poem in English? New insights into his purpose and the context and tradition of the poem are presented here. After establishing his reputation as a literary author by means of his French and Latin verse, Gower came to recognize the possibilities which English held for serious poetry only in the 1380s. This book gives sustained attentionto the implications of this language choice for the form, readership, religious position, and lay authority of his best-known work, the Confessio Amantis.The author argues that in all of his moral-political-theological writings, Gower's stance as a satirist and publicist is more markedly lay, and more rhetorically ...
First multi-year cumulation covers six years: 1965-70.
There seems to be no brief English equivalent for the concept of a +Berichtigungsliste; . This demotic +Berichtigungsliste; collects and critically presents corrections and supplements to editions of demotic documentary texts: papyri, ostraka, inscriptions, mummy labels, graffiti - everything demotic that was not clearly written as a secular or religious literary composition. We have added all the information we have found concerning inventory numbers and photographs as well as republications of the texts in question which the scholar working with these texts might like to have. Although the +Berichtigungsliste; chiefly concerns text editions, be they published in monographs or articles, texts that have been published only in photography or facsimile are also included. The period covered for the publications that have been ransacked for the purpose of our +Berichtigungsliste; is roughly the Twentieth Century: 1900-2000. In subsequent volumes, we intend to extend this time-range into the Nineteenth Century as well as into the future.
" The Politics of the Essay is that rare scholarly work that provides both a history of this relatively new field and of its formal characteristics and inspires its readers to want to participate in the making of this history." --Signs The first in-depth study of the relationship between women and essays. Employing gender, race, class, and national identity as axes of analysis, this volume introduces new perspectives into what has been a largely apolitical discussion of the essay. Includes an original essay by Susan Griffin.
The life-long Democrat who played Lou Grant on The Mary Tyler Moore Show puts out a call to all liberals to reclaim the constitution from the right-wingers who use it as justification for every horrible thing they want to do.
The Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.
Now updated to include the 2018 midterms and previewing the coming 2020 election cycle, Defying the Odds provides the most comprehensive and authoritative account of the national election, including the presidential nomination process and election and congressional elections. With its keen insights into the issues and events that drove the 2016 election, Defying the Odds will be an invaluable resource for students and all political observers seeking to understand an election that was decades in the making and will continue to resonate throughout American politics for many years to come.
Campaign financing is one of today’s most divisive political issues. The left asserts that the electoral process is rife with corruption. The right protests that the real aim of campaign limits is to suppress political activity and protect incumbents. Meanwhile, money flows freely on both sides. In Plutocrats United, Richard Hasen argues that both left and right avoid the key issue of the new Citizens United era: balancing political inequality with free speech. The Supreme Court has long held that corruption and its appearance are the only reasons to constitutionally restrict campaign funds. Progressives often agree but have a much broader view of corruption. Hasen argues for a new focus and way forward: if the government is to ensure robust political debate, the Supreme Court should allow limits on money in politics to prevent those with great economic power from distorting the political process.
This raw, provocative book of essays adapted from the blog ShiningSeaUSA pulls back the curtain on the Trump presidency, providing a panoramic view of his turbulent time in office, the legal implications of his actions, and the inactions of those surrounding him, enabling him, or standing by. The book includes memoir about life in New York City, legal analyses of major political developments since Donald Trump emerged, deep dives into what went wrong in the Mueller investigation, Trump’s mishandling of the COVID pandemic, and the threat to American democracy from Trump, the Republican Party he has captured, and the “conservative” Supreme Court. Not to Yield exposes the corruption and incompetence that dominated Trump’s presidency, his denial of his 2020 election loss, the January 6 attack on the Capitol and Trump’s attempt to return to power, all observed through a legal lens that spotlights blatant disregard for the law of the land and our democratic system.