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The black and white photos in Mean Streets, collected here in print for the first time, offer a look at the infamously hardscrabble NYC in the 70s and 80s captured with the deliberate and elegant eye that propelled Grazda to further success. In the late 1970s and early 80s, the institutions of power in New York had failed. A bankrupt city government had sold its power over to the banks, and the financiers' severe austerity programs gutted the city's support systems. Most of the city's traditional industries had already left, and those power brokers in charge of the new system retreated to their high rises and left the streets to the hustlers, preachers, and bums; the workers struggling to ge...
New York's world-renowned Bowery in the early 70s as seen through the eyes of one of the great documentarians of the city's underbelly, Ed Grazda. Up until the late 20th century the Bowery was a notorious place of cheap hotels and bars-New York's infamous skid row, where the city's down-and-out found each other and made do the best they could. Inspired by Lionel Rogosin's classic 1956 filmOn the Bowery, Ed Grazda'sOn The Boweryshows the weathered life and times he encountered on the Bowery in 1971. Perhaps the grittiest part of the city in those years, Grazda captured all the sorrow, hardship, and general bad luck upon the faces of those who called the Bowery their home. The unfiltered and barrierless street view is where Grazda has always been most comfortable shooting, and once again we are the beneficiaries of his intrepid spirit. Captured before gentrification changed the stripand surrounding neighborhood into a tourist destination with museums, upscale retailers, clubs, and fancy restaurants, Grazda provides an important reminder to us all that it was only a few decades ago that the Bowery was a much different scene-and that New York never stops evolving.
An icon of gay art and one of the most famous names in physique photography, Bruce Bellas is remembered as the pioneer of beefcake. Beginning in the 1940s and continuing until his death in 1974, he photographed some of the most important icons in the world of physical culture and body- building. Collected in this book are Bellas' rare photographs and films - the two volumes Inside and Outside comprise more than 100 colour images, masterfully restored as a limited edition, celebrating Bruce of Los Angeles and his refined, masterful aesthetic of erotica.
Alfred Hitchcock's Rear Window comes to mind when looking at Gail Albert Halaban's book of photographers of city dwellers peering into their neighbours' windows, Out My Window. The photographs are views across streets, alleyways and airshafts, peering through windows to reveal intimate portraits. These beautiful voyeuristic pictures capture both the intimacy and remoteness of living in proximity to so many strangers. Out My Window can be seen as an exploration of the contradictory impulses of metropolitan life: the desire to connect and the desire to be left alone.
For a generation, tabloids, television, and Hollywood have defined the public image of New Yorkers who live in the city's 334 housing projects. Focusing on crime, disrepair, and other ills that afflict these islands of red brick, such portrayals ironically have made it all too easy for government to reduce the support these projects have relied on since their birth some eighty years ago. And so conditions worsen further yet, as the buildings try to soldier on past their useful life, at times crumbling around the 400,000+ tenants. What if these New Yorkers had the tools and training to document their own lives? And the opportunity to share the result? Project Lives takes you on a remarkable j...
At the end of World War II New York City went through a period of transformation - loved ones were reunited and babies were born into a new era. African American soldiers who fought in the name of democracy demanded equal rights at home. Women left the factories and returned to the domestic front to raise children and cater to their husbands. Vivian Cherry charts this period with lively vignettes full of compassion and gritty street scenes exuding social conciousness.
For the past decade, downtown-New York indie dance music innovation could be summed up in three letters: LCD. The brainchild of frontman James Murphy, LCD Soundsystem grew from a solo project into one of the most highly regarded live bands in contemporary music. In 2011, at the height of their career, LCD Soundsystem decided to end the band. From 2004 to the day they quit, photographer Ruvan Wijesooriya navigated through both private and public moments with the influential, Grammy-nominated, NYC indie band. Ruvan was a fan, first and foremost, and quickly became a fly on the wall and instigator who brought new meaning to the term, "I'm with the band." His access and friendship with LCD is so...
In Bliss: An Exploration of the Current Hippie Counterculture & Transformational Festivals, Steve Schapiro, famous for his photographs of the 60s--including Haight-Ashbury and the hippies of that era--documents the hippies of today and their lives in and out of transformational festivals. With a specific focus on a subculture of the current hippie counterculture known as "Bliss Ninnies," these individuals are focused on meditation and dancing as a way to reach ecstatic states of joy. The book features images from festivals across the country and provides an overview of a new contemporary hippie life within America. The 60s are still here. You just have to find where.
"At three o'clock sharp, the enemy must be crushed by your mighty charge, torn to pieces by your grenades and bayonets. The honor of Belgrade must be spotless. Soldiers, heroes, the Supreme Command has erased our names from its roll. Our regiment is sacrificed for our King and Fatherland. You don't have to worry anymore about your lives that no longer exist. So forward, to glory! Long live the King! Long live Belgrade!" -Major Dragutin Gavrilović, September 24, 1915 Born and raised in Belgrade, Serbia, Boogie began photographing rebellion and unrest during the civil war that ravaged his country during the 1990s. Growing up in a war-torn country defined Boogie's style and attraction to the d...
A spectacular photographer's daybook, in the tradition of Peter Beard, Bill Burke, and Robert Frank, detailing the wanderlust of faraway travel and profound discovery in a part of the world few desire to wander. Asia Calling is longtime mid-east photographer Edward Grazda's art journal recap of his decades traversing the globe during times of immense social and cultural change in the Asian continent. Much like Peter Beard and Bill Burke before, Grazda's journal entries and diaristic graphics, along with his image manipulation and conceptual positionings of his photographs and writings make this no mere photo notebook, but rather an indelible stamp, a graphic passport if you will, of people a...