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The original essays in this comprehensive collection examine the lives and sports of famous and not-so-famous African American male and female athletes from the nineteenth century to today. Here are twenty insightful biographies that furnish perspectives on the changing status of these athletes and how these changes mirrored the transformation of sports, American society, and civil rights legislation. Some of the athletes discussed include Marshall Taylor (bicycling), William Henry Lewis (football), Jack Johnson, Satchel Paige, Jesse Owens, Joe Lewis, Alice Coachman (track and field), Althea Gibson (tennis), Wilma Rudolph, Bill Russell, Jim Brown, Arthur Ashe, Michael Jordan, Tiger Woods, and Venus and Serena Williams.
Isaac Burns Murphy (1861--1896) was one of the most dynamic jockeys of his era. Still considered one of the finest riders of all time, Murphy was the first jockey to win the Kentucky Derby three times, and his 44 percent win record remains unmatched. Despite his success, Murphy was pushed out of Thoroughbred racing when African American jockeys were forced off the track, and he died in obscurity. In The Prince of Jockeys: The Life of Isaac Burns Murphy, author Pellom McDaniels III offers the first definitive biography of this celebrated athlete, whose life spanned the Civil War, Reconstruction, and the adoption of Jim Crow legislation. Despite the obstacles he faced, Murphy became an important figure -- not just in sports, but in the social, political, and cultural consciousness of African Americans. Drawing from legal documents, census data, and newspapers, this comprehensive profile explores how Murphy epitomized the rise of the black middle class and contributed to the construction of popular notions about African American identity, community, and citizenship during his lifetime.
A major new history of Brooklyn, told through its landscapes, buildings, and the people who made them, from the early 17th century to today.
Vietnam and the Colonial Condition of French Literature explores an aspect of modern French literature that has been consistently overlooked in literary histories: the relationship between the colonies—their cultures, languages, and people—and formal shifts in French literary production. Starting from the premise that neither cultural identity nor cultural production can be pure or homogenous, Leslie Barnes initiates a new discourse on the French literary canon by examining the work of three iconic French writers with personal connections to Vietnam: André Malraux, Marguerite Duras, and Linda Lê. In a thorough investigation of the authors’ linguistic, metaphysical, and textual experi...
Humans have long turned to gardens—both real and imaginary—for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has se...
An innovative collection demonstrating the rich potential for interdisciplinary learning found within the network of university-based humanities centers. Remapping the Humanities celebrates the tenth anniversary of the Wayne State University Humanities Center by bringing together essays that illustrate the richness of public conversations developed in interdisciplinary humanities centers. The contributors to this collection represent more than a dozen disciplines--including philosophy, English, political science, history, law, comparative literature, and Spanish--and, taken together, their essays illustrate an ongoing remapping of the intellectual landscape as scholars from across university...
A seminal work in the field of Kurdish studies, Wadie Jwaideh’s pioneering research, published for the first time, presents a detailed analysis of the early phases of Kurdish nationalism and offers a framework within which to understand the movement’s later development. Following Wadie Jwaideh’s dissertation defense, his doctoral chairman took aside Jwaideh’s wife, Alice, and asked her to submit the work for publication without Wadie’s permission, believing that Wadie’s penchant for perfection would postpone its publication indefinitely. The thesis was never published during Jwaideh’s lifetime, but its fame spread by word of mouth, and many scholars have recognized its importan...
The field of sports history is no longer a fledgling area of study. There is a great vitality in the field and it has matured dramatically over the past decade. Reflecting changes to traditional approaches, sport historians need now to engage with contemporary debates about history, to be encouraged to position themselves and their methodologies in relation to current epistemological issues, and to promote the importance of reflecting on the literary or poetic dimensions of producing history. These contemporary developments, along with a wealth of international research from a range of theoretical perspectives, provide the backdrop to the new Routledge Companion to Sports History. This book ...
In the 1890s the world of racing was turned on its ear by a young American who rodeøhorses as no professional jockey had ever ridden: Tod Sloan hitched up his stirrups and thrust his weight far forward. Traditionalists laughed at first and dismissed him as a novelty, but as he came to dominate racing on both sides of the Atlantic, his style of riding became widely imitated, and his famous ?forward seat? remains universally practiced to this day. Sloan?s place in racing lore and popular culture was cemented in 1904 when George M. Cohan wrote and starred in Little Johnny Jones, a Broadway musical based on Sloan?s rise and fall in England. John Dizikes?s portrait of Sloan (1874?1933) shows a small-town, hard-luck, midwestern boy who became an overnight sensation and an international celebrity in a world of breeders, bookmakers, gamblers, hustlers, bluebloods, and princes. As the King of Jockeys in the sport of kings, Sloan lived in high style, until he was banned from British racing and forced to eke out a living on the margins of the sport for thirty years.