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"Our Landlady","""It is widely known that L. Frank Baum spent several years in South Dakota before moving to Chicago, where he wrote the Oz books that made him famous. . . . Koupal carefully lays out the complexities and ambiguities of Baum's thinking by providing us with the full texts of Baum's columns published weekly in the Aberdeen Saturday Pioneer between January 1890 and February 1891, and by adding her own commentary and a glossary to place these writings in context. Entitled 'Our Landlady,' the column described in a generally humorous vein the conversations and activities of four fictional characters-the landlady and three of her regular boarders-and a wide variety of prominent loca...
Reproduction of the original: Chaucer ́s Works by Geoffrey Chaucer
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Persona Meet Adele Munson. She is the very naïve social worker who has a very insecure life with an illicit affair and an unusual bout with drugs over many strange afflictions. The heroine meets her new life’s venture at the hands of renown psychiatrist, Dr. Houston Crenshaw. What unfolds in the chapters that follow will claw at the reader’s heart. Adele finds that her past lives through hypnosis with Crenshaw’s counseling have affected her present life and future. Meet Adele and reunite yourself with Gerry White, who has done another splendid job on the book cover with Great Minds – Graphic Designs.
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films such as STAGECOACH to spaghetti Westerns like A FISTFUL OF DOLLARS, culture scholar Lee Clark Mitchell shows how Westerns as a genre helped assuage a series of crises in American culture by responding to fears and obsessions of its audience--particularly what it means to be a "man". 30 photos. 5 line drawings.
Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.