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Ed McCurdy's Song Book of Wit and Mirth
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An Evolving Tradition
The Child Ballads are a series of over 300 traditional ballads from England and Scotland that, along with their American variants, were anthologized by folklorist Francis James Child in the nineteenth century. An Evolving Tradition is the story of the Child Ballads—the world’s best-known and most highly regarded repository of traditional English folk songs, and the wellspring for approximately 10,000 recordings over the last century, from obscure musicological archives to classic releases from Bob Dylan, Simon & Garfunkel, and Led Zeppelin. Drawing on interviews with numerous scholars and musicians, author Dave Thompson explains what a ballad is, outlines their dominant themes, and recounts how these ballads survived to become a mainstay of field recordings made by Cecil Sharp, Alan Lomax, and others as they traveled the English and American countryside in search of old songs. Thompson traverses the entire spectrum of rock, pop, folk, roots, experimental music, industrial, and goth to reveal the remarkable legacy and incalculable influence of the Child Ballads on all manner of modern music.
The Bitter End
The tale of the famous Greenwich Village coffeehouse turned nightclub, The Bitter End is also the story of the club's manager and owner, Paul Colby. From the early 60s to the 90s, the Bitter End hosted a wide range of influential music and comedy acts that reflected the changing creative atmosphere of the Village, and the country beyond. Pete Seeger made frequent appearances and Peter, Paul, and Mary debuted at the club during the height of the folk music boom, around the same time that Woody Allen and Bill Cosby were headlining with their very different—but equally popular—stand-up acts. After the British Invasion made rock the pre-eminent music in the land, Colby booked electrified fol...
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Folk Music and the New Left in the Sixties
Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world. This work explores the relationship between the cultural and political ideologies of the 1960s and the growing folk music movement, with a focus on musicians Phil Ochs; Joan Baez; Peter, Paul and Mary; Carolyn Hester and Bob Dylan.
Trips
"Simply one of the best pieces of rock reportage ever written." — Los Angeles Review of Books As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin. Stops along the way include the folk music clubs of Greenwich Village, Haight-Ashbury in its riotous heyday, and the euphoric festival...
Shifting Ground
This autobiography traces the authors tempestuous 22-year marriage to an undiagnosed manic depressive (Bipolar Affective Disorder) with whom she raised two children. Throughout the years, the emotional and geographical ground under the authors feet kept shifting, There were travels, adventures, job changes and financial disasters, love and fun, but also violence and pain. Throughout this story, the benchmarks of manic depression can be clearly identified as can the repercussions on relationships and family life. Two years in Guyana, South America, provided memories no one else could share and kept the couple close when circumstances tended to separate them. They camped and canoed in isolated regions of Algonquin Park, Ontario, explored the streets of London, England and beach-combed on Vancouver Islands west coast. In addition to the unhappy and perplexing aspects of marriage to a manic depressive, this book illustrates the positive side of life with a partner who does not fear consequences, who is adventurous and willing to risk.
