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Humanities
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year b...
Everyday Aesthetics
Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of t...
Determinants of Gross Human Rights Violations by State and State-sponsored Actors in Brazil, Uruguay, Chile, and Argentina, 1960-1990
This book deals with the gross human rights violations that characterized the military repression in Argentina, Brazil, Chile and Uruguay from the 1960s to the 1980s. Dr Wolfgang Heinz, the author of three of the four case studies is a German scholar. The second author, Dr Hugo Frühling, is a Chilean researcher. Both are renowned human rights specialists who have done in-depth research on the causes of gross human rights violations in these countries. They have interviewed generals and officers directly involved in the repression. They have unearthed secret documents and, building on existing scholarship, they have managed to draw a unique picture of the mechanisms of repressive domestic social control. They have investigated international factors as well as the dynamics of the interaction between guerrilleros and urban terrorists on the one hand, and the military, the police forces and the death squads on the other. The result is a comprehensive volume, broad and comparative in scope, and written with clinical detachment but also with humanitarian sympathy for the victims of repression.
Theatre Semiotics
Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
The Grotowski Sourcebook
This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner.
World Report 2000
Human rights watch world report 2001: events of 2000.
Negotiating Cultures
Negotiating Cultures is a collection of essays and interviews that examines the role of cultural fusion, negotiation, and conflict in Eugenio Barba's creative work, research, and theories about theatrical performance. Barba, one of Europe's leading theatre artists, researchers, and theorists, has been at the cutting edge of the contemporary preoccupation with what Homi Bhabha calls the borders between cultures.
