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Ediciones Turner
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Artistas en Madrid
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El Artista
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MadridRío
From 2007 to 2011 an urban transformation process has been carried out within the course of the Manzanares through the city as its backbone. The main objective of the project has been quality of life for the citizen. The result is that henceforth we can say, once again, that Madrid has a river. This edition offers us a close-up view of the urban transformation process that the MadridRío project has involved. An extensive selection of texts written by engineers, town planners, architects and historians reflects the multifaceted nature of this urban adventure. Likewise, a carefully selected gallery of large format images offers us a spectacular view of the river’s past and its metamorphosis as we discover how this project has changed the city and the life of its citizens.
En la carrera
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Res
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Grotesque Purgatory
Cervantes's great novel Don Quixote is a diptych, the first part of which was published in 1605 and the second in 1615. Focusing almost entirely on the novel's second part, Henry W. Sullivan is the first critic to offer a systematic account of Don Quixote's passage from madness to sanity. Sullivan argues that Part II of the novel is a salvation epic, within which the Cave of Montesinos episode is the single most important pivot in the Knight's confrontation with his own emotional difficulties. In this carefully researched and challenging study, Sullivan shows that chapters 22-24 (the Cave of Montesinos episode) represent an entrance into Purgatory, while chapter 55 is the exit from this real...
The Crucified Mind
Why is the Spanish input to Surrealism so distinctive and strong? What do such renowned figures as Dal , Bu uel, Lorca, Aleixandre and Alberti have in common? This book untangles the issue of Surrealism in Spain by focusing on a consistent feature in Spanish avant-garde poetry, art and film of the late twenties and thirties: its supersaturation in religion. A repressive religious upbringing, typically under the Jesuits, intensifies both the paranoiac and the mystical - Surrealism's twin pillars - which were already deeply ingrained in the Spanish psyche. Striking examples are Lorca's prophetic voice in New York, Dal and Bu uel's Eucharistic transformations, Alberti's Loyolan materio-mysticis...
