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Print Culture and the Blackwood Tradition
Two hundred years after the founding of this significant influence on British literary, political, and social history, this collection of essays reappraises the place of the Blackwood firm and its magazine in literary and print culture history.
Before Blackwood's
This collection of essays is the result of a major conference focusing specifically on the role of Scotland’s print culture in shaping the literature and politics of the long eighteenth century. In contrast to previous studies, this work treats Blackwood’s Magazine as the culmination of a long tradition rather than a starting point.
Inkerman
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The Athenæum
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Tales of Terror from Blackwood's Magazine
The tales of terror and hysteria published in the heyday (1817-32) of Blackwood's Edinburgh Magazine became a literary legend in the nineteenth century. Blackwood's was the most important and influential literary-political journal of its time, and a major institution not just in Scottish letters but in the development of British and American Romanticism. Intemperate in political polemic and feared for its literary assassinations, the magazinebecame just as notorious for the shocking power of its fictional offerings. These set a new standard of concentrated dread and precisely calculated alarm, and were to establish themselves as a landmark in the development of the short magazine story. The influence of Blackwood's quickly reached manymajor authors, including Dickens, Emily Bronte, Robert Browning, and Edgar Allan Poe. This edition selects some of the best and most representative tales from the magazine's first fifteen years, including work by Walter Scott, James Hogg, and John Galt, alongside talented but now almost forgotten figures like William Mudford, William Godwin (son of the philosopher), and SamuelWarren.
Builders of My Soul
To Yeats, as well as to Eliot, Pound, Joyce, and other major writers, as Erich Auerbach put it in Mimesis, "Antiquity means liberation and a broadening of horizons, not in any sense a new limitation or servitude." That is why Greco-Roman themes can be endlessly stimulating, why Yeats could call the Greek and Roman writers "the builders of my soul." Brian Arkin's thematic consideration of Yeat's subject matter under philosophy, myth, religion, history, literature, visual art, and Byzantium, allows us to see coherently how Yeats exploited this material and how, especially in his middle and later periods, he transformed and metamorphosed subject matter from Homer, Phidias, Plato, Plotinus, and Sophocles, and from the myths of Dionysus, Helen of Troy, Leda, and Zeus, to exemplify his central preoccupations. Irish Literary Studies Series No. 32.
Beyond Scotland
Scottish creative writing in the twentieth century was notable for its willingness to explore and absorb the literatures of other times and other nations. From the engagement with Russian literature of Hugh MacDiarmid and Edwin Morgan, through to the interplay with continental literary theory, Scottish writers have proved active participants in a diverse international literary practice. Scottish criticism has, arguably, often been slow in appreciating the full extent of this exchange. Preoccupied with marking out its territory, with identifying an independent and distinctive tradition, Scottish criticism has occasionally blinded itself to the diversity and range of its writers. In stressing ...
