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Michael Field: The Poet
“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture. This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.
The Fowl and the Pussycat
"Michael Field was the pseudonym used by Katharine Bradley (1846-1914) and Edith Cooper (1862-1913)-coauthors and lovers - for the poetry and verse drama they published. This edition of the love letters of Michael Field brings together for the first time a personal correspondence thought lost by critics. As the first modern scholarly edition of any of Michael Field's writings, the 168 letters represent a treasure trove of almost untouched manuscript material, including many from the critical early years (1876-1885) of this aunt-niece collaboration. The letters contain both published and unpublished poems and insights into the dramas and their production and are supplemented by extensive anno...
Chains of Love and Beauty
""Michael Field" was the pseudonym of two women writing as a male author: Katharine Bradley and Edith Cooper, who were aunt and niece, and a devoted couple for three decades that spanned the late nineteenth and the early twentieth centuries. While much has been written about the Fields' many volumes of poetry and plays, and about their strange and complicated life, this book is the first to focus on their diary, which they kept for twenty-five years and viewed as an "unpublished manuscript" called Works and Days. In this book, Dever argues that Works and Days represents one of the great experimental prose narratives of the transitional period between Victorian and modernist literature. Throu...
We are Michael Field
In this profile, Emma Donoghue tells the story of two eccentric Victorian spinsters: Katherine Bradley (1846-1914) and her niece Edith Cooper (1862-1913); poets and lovers, who wrote together under the name of Michael Field. They wrote eleven volumes of poetry and thirty historical tragedies, but perhaps their best work - richest in emotional honesty and wit - was the diary that the two women shared for a quarter of a century, and these unpublished journals and letters form the basis for the groundbreaking We are Michael Field. The Michaels lived in a contradictory world of inherited wealth and terrible illness, silly nicknames and religious crises. They preferred men to women, and yet their greatest devotion was saved for their dog. Snobbish, arrogant eccentrics who faced bereavement and death with great courage, the Michaels never lost their appetite for life or their passion for each other.
One Soul We Divided
The first book-length selection from the extraordinary unpublished diary of the late-Victorian writer “Michael Field”—the pen name of two female coauthors and romantic partners Michael Field was known to late-Victorian readers as a superb poet and playwright—until Robert Browning let slip Field’s secret identity: in fact, “Michael Field” was a pseudonym for Katharine Bradley (1846–1914) and Edith Cooper (1862–1913), who were lovers, a devoted couple, and aunt and niece. For thirty years, they kept a joint diary titled Works and Days that eventually reached almost 10,000 pages. One Soul We Divided is the first critical edition of selections from this remarkable unpublished w...
A Fortune and a Family
A genealogy and history of the Dean family (later Cooper Dean) of Bournemouth, Dorset, England from 1690 to 1984. This family line became extinct at the deaths of Ellen and Edith Cooper Dean as they were the last of the line and died childless. Also includes a history of Bournemouth in the context of the part played by the Dean family.
Poems of Adoration
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