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Edition Patrick Frey
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Oracles
This book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations ...
Irene
Roswitha Hecke's photo book Liebes Leben (Love Life) about the Zurich artist-muse and prostitute, Irene, also called "Lady Shiva," was published for the first time in 1978. It became both a cult book and an international success. Reprinted many times and translated into several languages, it is finally available again. The new, revised volume put out by Edition Patrick Frey presents photos that have never before been published. It is through the director Werner Schroeter that Roswitha Hecke met Irene. Irene, a secret star of Zurich's Boheme at that time, worked as a prostitute until her tragic accidental death. For three weeks Hecke photographed her daily routine in Zurich and accompanied he...
Taiyo Onorato and Nico Krebs: Future Memories
Large-format analog photography, laser technologies and archival materials chart visions of the future This volume is the first in the Future series presenting the ongoing collaboration between Swiss artists Taiyo Onorato and Nico Krebs (both born 1979). It explores how our conceptions of the future have changed over time and how that impacts our views on the present.
The Iceberg
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Mom
The book's title reveals the identity of its protagonist: Kathleen McCain Engman has been posing for her son Charlie since 2009. And yet "MOM" shows us a face we never really get to know: while we soon become acquainted with her freckled complexion and intense gaze, her position in the images becomes increasingly unclear. Engman first began shooting his mother because she was available, ever-willing to meet the demands of one of her children. But what began as a casual, organic process evolved into an intense collaboration. The result is neither a family album nor a filial tribute but a much deeper and far more complex interaction: one that raises questions about the limits of familiarity, the rules and boundaries of roles and representation, vulnerability and control, and what it means to look and to be seen.
Index
Maybe it?s because I?m not a very good draftsman, collage feels like a more natural approach to sketching and developing ideas. I cut and paste and use my photocopier as a quick way to experiment and develop ideas. My work is all about finding, sampling, appropriating images and sounds, and transforming them. The found image is usually what triggers a thought process?formulating ideas or simply reaffirming latent thoughts. It?s a way to instantly mediate an image and get a little distance from it. Accidents are also often revealing. Like the camera, or any video editing software, the photocopier is just another tool.? ? Christian Marclay00Marclay?s compilation of hundreds of high-contrast black-and-white Xeroxes are like scribblings in a notebook, the first stages of experimentation towards more finished works, a glimpse into the artist?s creative process. This book brings together the source material that has informed Marclay?s practice over the past few years. It was designed in collaboration with Laurent Benner, a graphic designer who has worked with Marclay on various other books and record covers. Their shared sensibility informs this beautiful new book.
Fully Fueled
Where once there was desert, cities sprawl for miles; sixteen-lane highways dictate urban rhythm and daily commutes, often taking hours. Abu Dhabi and Dubais car culture and high-consumption environment is the subject of Fully Fueled, French social documentary photographer Basile Mookherjees newest look into a culture rarely explored. In 2012 and 2014, Mookherjee captured young Emiratis nights out on the town. The traditionally garbed young men and women have created an entire subculture in and around their cars and against a Vegas-like urban backdrop. The oversized floppy catalog mimicking the glossy pages of high-end fashion magazines portrays a strange world of over-the-top consumption. Reflecting on the UAEs abrupt petrodollar-driven modernization of essentially nomadic Middle Eastern culture, Mookherjee limns a world somewhere between desert dust and Gotham City, Islam and spending power, tradition and modernity. In addition to his career in fashion photography, Mookherjee explores the cultural contradictions inherent in our fast-changing world.
Real Nazis
"Glamorous impersonations of evil: In the fall of 1999 Edition Patrick Frey published 'The Nazis', which soon became a legendary cult book. It has long since been out of print and remains highly coveted to this day. While 'The Nazis' showed stills of actors playing Nazis in various Hollywood movies, Polish artist Piotr Uklanksi has now juxtaposed them with the real thing: Nazi party bigwigs, decorated 'war heroes' and war criminals. Painstakingly culled from a great many different archives, this follow-up compilation superimposes fact on fiction, the stagey, propagandistic imagery of the Third Reich on the mockup Nazi iconography of Hollywood, revealing an uncanny, even spooky, resemblance between the play-acting and real-life exponents of evil. 'Real Nazis', using the same format and production values as its predecessor, is the 'real' brother that now seems an ugly reflection of that 'glamorous' artist's book 'The Nazis'"--Publisher's website (viewed on December 7, 2017).
Fridge Food Soul
French photographer and musician Olivier Degorce is usually associated with the emergence of the 1990s electronic music scene, where he was one of the first to compulsively document the Paris raves and electric underground scene. But with camera always in hand, he created many more series, which are only now coming to light. In Fridge Food Soul, Degorce became fascinated with the contents of peoples refrigerators, creating a voluminous archive of images from 1993 to 2017. Using various cameras, from large formal to point and shoot, he captured the colors and smells of items fresh and long expired, while never missing an opportunity to raid a fridge and capture the sheer diversity of individual eating habits. The final presentation is a totally engaging and voyeuristic-like collection of contemporary still lifes. Ranging from the minimal to the most disgusting, the 130 close-up color images pull you into a world that you cannot stop observing.
