You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A handsomely illustrated volume that provides new insight into one of the great women artists of the Impressionist circle
This volume presents the essence of the work of the great French photographer Eugène Atget through one hundred carefully selected photographs. Atget devoted more than thirty years of his life to the task of documenting the city of Paris and the surrounding countryside, and in the process created an oeuvre that brilliantly explains the great richness, complexity, and authentic character of his native culture. John Szarkowski, an acknowledged master of the art of looking at photographs, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. The eloquent introductory text and commentaries on Atget’s photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.
A beautifully illustrated investigation of the life, work, and legacy of the great 17th-century landscape and garden designer Andr� Le N�tre (1613-1700), principal gardener to Louis XIV, was France's greatest landscape and garden designer. The parks created by him at Vaux-le-Vicomte and Versailles are the supreme examples of the French 17th-century style of garden design. He was responsible also for the central pathway through the Tuileries, which became the grand axis of Paris running to the Arc de Triomphe and on to La D�fense. This magnificent book sheds new light on the royal gardener's life and his practice as a landscape architect, engineer and art collector, and examines the leg...
David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.
"Many masterpieces of central African sculpture were created to amplify the power of sacred relics that affirm a family's vital connection to its ancestral heritage. This important volume, focusing on some 130 works representing a diverse variety of regional genres, illuminates the purpose and significance of these icons of African art, which first came to prominence because of their appeal to the Western avant-garde. While providing an overview of sources ranging from colonial explorers, missionaries, critics, artists, and art historians, the book breaks new ground in its examination of the complex aesthetic and spiritual dimensions of the reliquaries. Its interdisciplinary approach brings together the perspectives of scholars in African and medieval art history along with those in African history, religion, and ethnography." -- Publisher.
The acclaimed author of On Changing the World examines the ways in which surrealism intersects with a variety of revolutionary political approaches. In this expanded edition, the luminary critical theorist dismisses the limited notion of surrealism as a purely artistic movement, repositioning surrealism as a force in radical political ideologies, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton’s essay “Arcane 17,” which casts the star as the searing firebrand of rebellion, Michael Löwy’s provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as we...
"Over 370 tritone photographs, arranged in broadly chronological order, mark Alvarez Bravo's remarkable eighty-year career. Strikingly poetic and richly resonant, the collection includes iconic images as well as over thirty previously unpublished masterpieces. Urban and rural scenes, still lifes, nudes, religious and vernacular subjects, portraits of luminaries including Diego Rivera, Frida Kahlo and Octavio Paz: all illustrate the peerless acuity of the photographer's eye. Above all, Alvarez Bravo's work celebrates his beloved Mexico, with its indigenous rituals and age-old customs."--Jacket.
Drawing on the primary sources and little known publications from museum archives, collections in the region, and privately owned archives, Art and Visual Culture on the Riviera, 1956-1971 offers the first in-depth study of the Ecole de Nice. The author shows how artists indigenous to the region challenged the dominance of Paris as the national standard at this moment of French decentralization efforts, and growing internationalism in the arts.
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.