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A ce jour plus de 3000 livres ont été publiés sur Carl Fabergé, la plupart d'auteurs se contentant de répéter systématiquement les mêmes choses et de mentionner les mêmes légendes et histoires. La majorité de ces ouvrages se basent sur les informations fournies par Eugène Carlovich Fabergé dans les années 30 ou H.C. Bainbridge, le premier à avoir écrit une biographie sur Carl Fabergé en 1949. L'incapacité d'acquérir du matériel conséquent avait comme impact auprès des érudits qu'ils ne pouvaient pas vérifier leur travail. Des lettres écrites par le Tsar, des factures Fabergé, des documents du Cabinet ou des inventaires des Bolcheviks ont été cachés en Russie depu...
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
In Joseph de Maistre's Life, Thought, and Influence leading Maistre scholars offer interpretations of his thought and make available in English recent French scholarship on his life and work. They provide a portrait of Maistre as a significant thinker in numerous fields, upsetting the image of him as a backward-looking "reactionary," a reinterpretation furthered by contemporary interest in Counter-Enlightenment thought in general.
In this book, Catherine LeGouis examines the work of three nineteenth-century positivist critics, each of whom struggled to overcome the contradictions of attempting to separate esthetic, psychological, and sociological concerns from individual subjectivity. These positivists - staunch believers in the authority of scientific reason inspired by Auguste Comte, J.S. Mill, and Hippolyte Taine - attempted to turn literary criticism into an exact science that would observe and explain not only the social context of literature, but also its esthetics, without recourse to subjectivity based on individual reactions.
A FORTIORI LOGIC: INNOVATIONS, HISTORY AND ASSESSMENTS, by Avi Sion, is a wide-ranging and in-depth study of a fortiori reasoning, comprising a great many new theoretical insights into such argument, a history of its use and discussion from antiquity to the present day, and critical analyses of the main attempts at its elucidation. Its purpose is nothing less than to lay the foundations for a new branch of logic, and greatly develop it; and thus to once and for all dispel the many fallacious ideas circulating regarding the nature of a fortiori reasoning.
Logical Philosophy: A Compendium brings together five works by Avi Sion published in 2002-06, namely: Phenomenology (2003), Volition and Allied Causal Concepts (2004), Meditations (2006), Ruminations (2005), and Buddhist Illogic (2002). These works together define what may be termed ‘Logical Philosophy’, i.e. philosophical discourse distinguished by its steadfast reliance on inductive and deductive logic to resolve epistemological and ontological issues.
Written by one of the most celebrated historians of the Spanish Civil War, this book acts as both an outstanding introduction to the vast literature of the war, and a monumental contribution to that literature.
Philippe de Remi (1200/1210–65) holds a remarkable position in the legacy of the thirteenth-century literary world. A layman, landholder, and professional administrator, rather than a court poet or member of the clergy, Philippe de Remi wrote poems, songs, and long verse narratives that were grounded in his familiarity with the literary genres of his day. While Philippe paid homage to Chrétien de Troyes and other important secular writers of the period, his station in society and an intended audience of family and friends, not patrons, allowed him the freedom to treat courtly conventions with some independence and to explore human motivations across the social spectrum. Barbara Sargent-Ba...
An increasing body of literature concerns the economics of those highly appreciated qualities of life that are not easily provided by market exchange. Today these problems are visible as never before, for example environmental problems. But already at the dawn of industrial society the problem had been observed by Rousseau. His statements on the economy claim to take these problems into account with due importance. In this way his economic philosophy concerns a different domain of the economy from, for example, Adam Smith's work. Rousseau's philosophy attempts to consider phenomena later labeled information asymmetries and information costs, bargaining, collective good problems. Some of Rous...
This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne.