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Barbara Kruger is a talking viewer with a hit-and-run attitude. Her vivid commentary on TV and film will galvanize even the most jaded with its social clarity and its savvy sense of cultural justice.
At the end of World War II, the art of tapestry experienced anews boom and throughout Europe national workshops and factories were renewed. By organizing the International Tapestry Biennials in 1962, the city of Lausanne came to be recognised as the capital of contemporary textile art and centre of New Tapestry movement.00Illustrated with more than 100 works and views of rooms, most of them unpublished, the book testifies to the impact and vitality of these exhibitions and their impact abroad. The historical research carried out by Toms Pauli Foundation, heir to the International Center for Ancient and Modern Tapestry, is enriched by the essays of specialists from four countries with a textile tradition: France, Poland, USA and Japan.
A obra recupera a memória coletiva da Ação Saberes Indígenas na Escola, Núcleo Universidade Federal do Rio Grande do Sul, em suas quatro edições (2014-2019). Temas: educação indígena; ações afirmativas; Ação Saberes Indígenas na Escola – Universidade Federal do Rio Grande do Sul; escola Kaingang; escola caingangue; escola guarani; professores indígenas; professores Kaingang; professores caingangues; professores guaranis; formação continuada de professores indígenas.
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New in paperback. Of related interest: A History of Writing in Japan, by Christopher Seeley
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin Am...
Out of Hand: Materializing the Postdigital will explore the many areas of 21st-century creativity made possible by advanced methods of computer-assisted production known as digital fabrication. In today’s postdigital world, artists are using these means to achieve levels of expression never before possible – an explosive, unprecedented scope of artistic expression that extends from sculptural fantasy to functional beauty.
The artists, philosophers, art historians and cultural theorists contributing to this book address the complexity of interpreting art as research and suggest ways in which the visual and the verbal could engage in more productive and open discussions.
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
Evolving the Mind has two main themes: how ideas about the mind evolved in science; and how the mind itself evolved in nature. The mind came into physical science when it was realised, first, that it is the activity of a physical object, a brain, which makes a mind; and secondly, that our theories of nature are largely mental constructions, artificial extensions of an inner model of the world which we inherited from our distant ancestors. From both of these perspectives, consciousness is the great enigma. If consciousness evolved, however, it is in some sense a material thing whatever else may be said of it. Physics, chemistry, molecular biology, brain function and evolutionary biology - almost the whole of science - is involved, and there can be no expert in all these fields. So the style of the book is simple, almost conversational. The excitement is that we seem to be close to a scientific theory of consciousness.