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Bloodlands
'A superb work of scholarship, full of riveting detail' Sunday Times A powerful and revelatory history book about the bloodlands - the lands that lie between Stalin's Russia and Hitler's Germany - where 14 million people were killed during the years 1933 - 1944. In the middle of Europe, in the middle of the twentieth century, the Nazi and Soviet regimes murdered fourteen million people in the bloodlands between Berlin and Moscow. In a twelve-year-period, in these killing fields - today's Ukraine, Belarus, Poland, Western Russia and the eastern Baltic coast - an average of more than one million citizens were slaughtered every year, due to deliberate policies unrelated to combat. Here, Timothy...
Da proposta à açao
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Santa Catarina
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Burst of Breath
The first in-depth, comparative, and interdisciplinary study of indigenous Amazonian musical cultures, Burst of Breath showcases new research on the dynamic range of ritual power and social significance of various wind instruments—including flutes, trumpets, clarinets, and whistles—played in sacred rituals and ceremonies in Lowland South America. The editors provide a detailed overview of the historical significance, scientific classification, shamanic and cosmological associations, and changing social meanings of ritual wind instruments within Amazonian cultures. These essays present a wide perspective that goes beyond better-documented areas such as the Upper Xingu and northwest Amazon...
Art Effects
In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?
