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The Best of Punch Cartoons
"This enormous selection, which must rank as one of the best cartoon compilations of all time, has been specially selected by Helen Walasek of the Punch Cartoon Library and former curator of the Punch Collection. Leafing through its pages you are transported from the parlors and drawing rooms of the 19th century, with insolent servants and arrogant aristocrats, through the smoggy streets and crowded omnibuses of the cities, to the open fields of the country where "townies" shelter from the rain to the scorn of the locals, and would be fishermen and golfers find frustration." "The First World War brings a brash patriotism that leads to a cynical look at the hedonism of the Twenties, pokes fun...
The Punch Brotherhood
"The Punch Brotherhood takes the reader inside this Victorian institution, bringing to life the tightly-knit community of writers, artists, and proprietors who gathered around the Punch Table, and the tumultuous, uninhibited conversations, spiced with jokes and gossip."--Book flap.
Punch
Altick (English, Ohio State U.) systematically explores the first decade of the popular Victorian periodical, especially as it mirrored the interests and world view of its predominantly middle-class readership. He shows how the editorial and pictoral contents blended numerous streams of popular and middlebrow culture into a distinctive style of humor projected against historical evidence from the London Times and other contemporary documents. Annotation copyrighted by Book News, Inc., Portland, OR
Cartooning China
This book explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political...
The Mini Bar
An eye-catching collection of 100 recipes for cocktail enthusiasts From the editors of PUNCH, these eight small notebooks, organized by base ingredient, feature classic and modern drink recipes for essential spirits, liqueurs, and wines: whisky, rum, gin, vodka, tequila, champagne, sherry, and amaro. Each notebook also includes space in the back for jotting down that new cocktail creation. Nested in a sturdy slipcase, this colorful compilation is the ultimate bar cart accessory.
The Punch Cartoon Album
Examples of the famous Punch cartoons.
Punch; Or, the London Charivari, Vol. 104
Punch was a British weekly magazine of humour and satire published from 1841 to 1992 and from 1996 to 2002. Punch was founded by Henry Mayhew and engraver Ebenezer Landells. At its founding it was jointly edited by Mayhew and Mark Lemon. Initially it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari. Reflecting their satiric and humourous intent, the two editors took for their name and masthead from the anarchic glove puppet, Mr. Punch; the name also referred to a joke made early on about one of the magazine's first editors, Lemon, that "punch is nothing without lemon." Punch was responsible for the modern use of the word 'cartoon' to refer to a comic drawing. Increasing in readership and popularity throughout the remainder of the 1840s and 1850s, Punch was the success story of a threepenny weekly paper that had become one of the most talked-about and enjoyed periodicals of its time. Several British humour classics were first serialised in Punch, such as the Diary of a Nobody and 1066 and All That.
Punch; Or, the London Charivari, Vol. 104
Punch was a British weekly magazine of humour and satire published from 1841 to 1992 and from 1996 to 2002. Punch was founded by Henry Mayhew and engraver Ebenezer Landells. At its founding it was jointly edited by Mayhew and Mark Lemon. Initially it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari. Reflecting their satiric and humourous intent, the two editors took for their name and masthead from the anarchic glove puppet, Mr. Punch; the name also referred to a joke made early on about one of the magazine's first editors, Lemon, that "punch is nothing without lemon." Punch was responsible for the modern use of the word 'cartoon' to refer to a comic drawing. Increasing in readership and popularity throughout the remainder of the 1840s and 1850s, Punch was the success story of a threepenny weekly paper that had become one of the most talkedabout and enjoyed periodicals of its time. Several British humour classics were first serialised in Punch, such as the Diary of a Nobody and 1066 and All That.
Punch; Or, the London Charivari, Vol. 103
Punch was a British weekly magazine of humour and satire published from 1841 to 1992 and from 1996 to 2002. Punch was founded by Henry Mayhew and engraver Ebenezer Landells. At its founding it was jointly edited by Mayhew and Mark Lemon. Initially it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari. Reflecting their satiric and humourous intent, the two editors took for their name and masthead from the anarchic glove puppet, Mr. Punch; the name also referred to a joke made early on about one of the magazine s first editors, Lemon, that punch is nothing without lemon . Punch was responsible for the modern use of the word cartoon to refer to a comic drawing. Increasing in readership and popularity throughout the remainder of the 1840s and 1850s, Punch was the success story of a threepenny weekly paper that had become one of the most talked-about and enjoyed periodicals of its time. Several British humour classics were first serialised in Punch, such as the Diary of a Nobody and 1066 and All That.
