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Romanul „Te iubesc, până când moartea...” este a două carte din trilogia alcătuită din romanele... „Te iubesc...” şi „Te iubesc, cât îmi va mai bate inima”, romane autobiografice, de dragoste, care cuprind capitole din viaţa de cuplu a scriitorului Julien Tănase, trăită alături de soţia sa, Magdi şi cu care are o relaţie de 30 de ani, totul pe fundalul evenimentelor prin care a trecut România în ultimele decenii, după Revoluţia din '89. Trilogia care vorbeşte despre rezistenţa în timp a unui cuplu tânăr de îndrăgostiţi, care au trecut prin evenimente rupte de realitate, într-o Românie în care dormitul cu pistolul sub pernă, teama de a nu le fi ră...
Cartea lui VLAD GAFIȚA e o carte de învățătură pentru inimă și minte. Ea este o temerară invitație la lectură și meditație.E o exemplară pledoarie pentru moderație și democrație, pentru acuzarea și condamnarea pe tărâm politic a oricărei forme de extremism, fie el de dreapta sau de stânga. Cartea aceasta, atent și prudent pregătită, îndelung elaborată, bine gândită și temeinic ordonată, cu o inedită teorie și metodologie științifică de lucru, este scrisă cu inima și cu mintea, într-un limbaj curat, academic, plin de vibrațiile sufletului și luminile unei minți inteligente, cultivate, animate de cele mai înalte idealuri umane; ea merită să devină ...
This volume provides the first comparative survey of the relations between the two most active book worlds in Eurasia between 1450 and 1850. Prominent scholars in book history explore different approaches to publishing, printing, and book culture. They discuss the extent of technology transfer and book distribution between the two regions and show how much book historians of East Asia and Europe can learn from one another by raising new questions, exploring remarkable similarities and differences in these regions’ production, distribution, and consumption of books. The chapters in turn show different ways of writing transnational comparative history. Whereas recent problems confronting res...
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, come...
Ali's grandma can't hear or see very well these days, and she doesn't remember very much anymore. But Ali likes hanging out with her. So when Ali's mom takes out a wooden trunk full of Grandma's old photos, he sits with his grandmother, trying to figure out who is in all the old pictures. At first, his grandma doesn't seem to remember. But with a little help from Ali, she is soon sailing through the photos--and taking Ali along with her through the wondrous journey of her life. With daring, joy, and love, Ali's grandma shows him the importance of making and sharing beautiful memories that will live on in the ones we love. First published in Turkey, this endearing picture book is a joyous celebration of life, family, and love.
In his theory of the novel, Guido Mazzoni explains that novels consist of stories told in any way whatsoever about the experiences of ordinary men and women who exist as contingent beings within time and space. Novels allow readers to step into other lives and other versions of truth, each a small, local world, absolute in its particularity.
The “Qatar papers” reveal the mapping of proselytism in France and Europe led by Qatar Charity, the most powerful Qatari NGO. These confidential documents, disclosed for the first time, detail most of the 140 projects to finance mosques, schools and Islamic centres, for the benefit of associations linked to the Muslim Brotherhood. They reveal the salary paid to Tariq Ramadan, a figure of political Islam that Doha sponsors outside its borders. At the end of a survey in six European countries and a dozen cities in France, the authors expose the concealment, sometimes the double language, of Muslim associations on their foreign funding, as well as the ostrich policy followed by many mayors, out of electoralism or ignorance. They point out the absurdity of the situation: with the faithful's money alone as a subsidy, how could mosques in France deprive themselves of aid from abroad? A journey behind-the-scenes of a wealthy and opaque NGO linked to the top of the Qatari state, as revealed by its funding by several members of the ruling family, the Al Thani.
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ dive...
When 17-year-old Eveny returns to the tiny Louisiana town where she was born, she discovers she is the powerful missing link in a trio of impossibly beautiful voodoo queens who have everyone under their spell. But they need her help. Because darkness is descending on Carrefour and even the Dolls' combined powers may not be enough to stop the killer in their midst. Sultry, seductive, irresistible . . . welcome to Carrefour. "Sullivan’s Dolls call to mind the Cullen clan, and the setting has echoes of the Beautiful Creatures books. . . . Sullivan’s talent for moving the action forward makes for a breezy, engaging read" - Publishers Weekly
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