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The reason I am writing this book is because it has never been properly given credit to the real cradle of the Who’s success: San Francisco. The concerts the Who played at promoter Bill Graham’s Bay Area venues made them grow exponentially and unified them as a band at a time that guitarist Pete Townshend recalled as artistically and financially draining. San Francisco held the band together, gave it confidence and the right input that made it become what it is known for today. The two Winterland concerts in 1968 and 1976 are pivotal, in that 1968 is the one in which the most interesting experimentation took place, while the 1976 performance is considered the band’s Zenit by everyone that was there.
The incredible backstories, cosmic coincidences, and colorful characters who loved, supported, exploited, and cheated the Beatles Historical deep dive for anyone who loves John, Paul, George, and Ringo and the mayhem that was Beatlemania Learn how the Beatles forced the integration of Florida’s Gator Bowl for the first time in its history
This book offers what Who leader Pete Townshend himself describes as an "intriguing and extremely insightful take on the Who and myself." The reader will be thrown into untold stories, hundreds of previously unpublished photographs, and uncirculated recordings clarifying the misinformation, myths, and legends.
Emerging from a period of protest and social unrest, 1968 was the year that ushered in gut-punching sounds that would define classic and hard rock—the formation of bands like Led Zeppelin and Black Sabbath rolled away the light sounds of psychedelic music and Flower Power. Celebrated music journalist & author John Einarson provides the first detailed account of this crucial period. Einarson begins by examining the birth of psychedelic music and experimentation beginning in 1965 and the resultant Summer of Love, showing how The Who and The Jimi Hendrix Experience planted the seeds for the harder rock sounds at The Monterey Pop Festival. Music and popular culture always reflect prevailing so...
»Pop. Kultur und Kritik« analysiert und kommentiert die wichtigsten Tendenzen der aktuellen Popkultur in den Bereichen von Musik und Mode, Politik und Ökonomie, Internet und Fernsehen, Literatur und Kunst. Die Zeitschrift richtet sich sowohl an Wissenschaftler*innen und Student*innen als auch an Journalist*innen und alle Leser*innen mit Interesse an der Pop- und Gegenwartskultur. Heft 22 widmet sich neben vielen Gegenwartsthemen u.a. den Beatles.
This all-access look at the legendary Who presents a glimpse of what it was like to see the band in their prime at Bill Graham's legendary San Fransisco concert venue.
(Book). Written by Chris Welch, former Melody Maker journalist and Cream confidante, this newly-researched book is the first full account of rock's premiere three-man supergroup: guitarist Eric Clapton, bassist Jack Bruce, and drummer Ginger Baker. From Cream's formation in 1966 to their breakup in 1968, the book analyzes the group's working methods and offers detailed descriptions of all their recordings. A special section explores the musical interactions of Clapton, Bruce and Baker, plus key songwriters Bruce and Pete Brown. With rare full-color photos throughout, it also includes a complete discography, studio sessionography, and diary of live shows.
A trailblazing anthropologist and an indigenous Amazonian healer explore the convergence of science and shamanism “The dose makes the poison,” says an old adage, reminding us that substances have the potential to heal or to harm, depending on their use. Although Western medicine treats tobacco as a harmful addictive drug, it is considered medicinal by indigenous people of the Amazon rainforest. In its unadulterated form, it holds a central place in their repertoire of traditional medicines. Along with ayahuasca, tobacco forms a part of treatments designed to heal the body, stimulate the mind, and inspire the soul with visions. In Plant Teachers, anthropologist Jeremy Narby and traditional healer Rafael Chanchari Pizuri hold a cross-cultural dialogue that explores the similarities between ayahuasca and tobacco, the role of these plants in indigenous cultures, and the hidden truths they reveal about nature. Juxtaposing and synthesizing two worldviews, Plant Teachers invites readers on a wide-ranging journey through anthropology, botany, and biochemistry, while raising tantalizing questions about the relationship between science and other ways of knowing.
Featuring personal, never-before-published photographs, fan memorabilia and anecdotes, captions from Pete, newly discovered gems from The Who archive, an introduction by legendary Who manager Bill Curbishley and further contributions from friends, colleagues and family, this landmark illustrated book celebrates 50 years of anthemic, era-defining music and an extraordinary career.