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Nerea and I
Laura Mintegi's Nerea and I provides a unique viewpoint from which to examine women's role in the world of Basque nationalism, and Linda White's translation gives us a rare example in English of this late twentieth century novel by a prominent Basque writer and political activist. This volume also includes White's examination of the role of women in Basque society, and the rise of the women's movement in the Basque country of Spain.
Before Babel
Before Babel: A History of Basque Literatures is the first book written originally in English and directed towards a global audience. It is also a new departure from traditional literary histories, as it is not a philological tedious classification of centuries, authors, genres, and books published in Basque. This book addresses the historical conflict and violence that define Basque history and culture, and so it defines Basque literary history as that of at least two literatures: one expressed by Basque subaltern (oppressed) classes in their language, euskara, which mainly constitutes an oral tradition, and the other written by Basque elites in Spanish, Latin, French, etc. The book emphasi...
Crime Scene Spain
This essay collection examines the changing cultural, political and physical landscape of Spain as represented in Spanish crime fiction of the last three decades. The first several essays focus on crime fiction set in Barcelona and look at, among other topics, the symbiotic relationship between the city and the detective in Francisco Gonzalez Ledesma's long-running Inspector Mendez series, Manuel Vazquez Montalban's treatments of the 1992 Summer Olympic Games, and place and identity in Alicia Gimenez-Bartlett's Petra Delicado series. Other essays examine regional and cultural illiteracy in Jorge Martinez Reverte's Galvez series and Spain's changing urban centers as represented in Andreu Martin's El blues de la semana mas negra.
Literary Self-Translation in Hispanophone Contexts - La autotraducción literaria en contextos de habla hispana
This edited book contributes to the growing field of self-translation studies by exploring the diversity of roles the practice has in Spanish-speaking contexts of production on both sides of the Atlantic. Part I surveys the presence of self-translation in contemporary Indigenous literatures in Spanish America, with a focus on Mexico and the Mapuche poetry of Chile and Argentina. Part II proposes to incorporate self-translation into the history of Spanish-American literatures- including its relation with colonial multilingual-translation practices, the transfers it allowed between the French and Spanish-American avant-gardes, and the insertion it offered for exiled Republicans in Mexico. Part...
Baleen berbaroa
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Cien razones por las que dejé de ser español
Limoi bat imintziorik egin gabe jaten baduzu, izenburutik hasita, ohiz kanpoko liburua da. Pamiesek egunerokotasuna preso baten pazientziaz xehatu eta gure ekintza bakoitza puska bakan eta, aldi berean, ezaguterraza bihurtu du. Arruntak diren egoeretatik abiatuz, errealitateak daukan ukitu surrealista baztertu gabe, irakurlearentzat ohikoa, erosoa baina izugarria den mundua sortu du. Estilo preziosista ezin zehatzagoaz, katalanak soberan gramo bat bera ere ez duten hogei ipuin idatzi ditu, gu guztiongan imintzio ezagutezin bat marrazteko.
Made in Galiza
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Terra sigillata
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Izu zinezkoak
Izuak, borreroak bezala, baditu mila aurpegi. Batzuetan, aurpegi hori baino ez duten zeretan ageriko zaigu. Gerran, esate baterako, eta orduan ez dago zezenari adarretatik heldu beste erremediorik, Itxaro Bordak bere narrazioan egin duen bezala. Baina izuak badaki ekintza arruntetan ere bere muturra sartzen. Hitzaldi bat amesgaizto bihur litekeela darakuskigu Juan Garziak. Txikitako oroitzapenen filmean asko dago izutik. Aldi-aldeetako aldeak alde, irakurleak bere izu propioak ezagutuko ditu Sánchez Ostizenetan. Harkaitz Canok amaigabe utzi digu beldurren katalogoa, menturaz konturatu delako izu guztiak izu bera direla azken batean. Zinemako izua izu zinezkoaren kontrako txerto eta sendagarri moduan darabilgula ohartarazten digu Edorta Jimenezek. Anjel Lertxundik, berriz, etxeko izugarriak bazterturik izu bila Transilvaniara jotzeko joera sintomatzat hartu, eta auzoko behiaren gaitza diagnostikatu digu. Antton Olariagak, azkenik, irudizkatu egin ditu bere izu zinezkoak.
