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The Arcades Project
  • Language: en
  • Pages: 1100

The Arcades Project

Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources. 46 illustrations.

The Book of Illustrious Mechanics
  • Language: en
  • Pages: 348

The Book of Illustrious Mechanics

  • Type: Book
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  • Published: 1845
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  • Publisher: Unknown

None

The Book of Illustrious Mechanics of Europe and AMerica
  • Language: en
  • Pages: 632

The Book of Illustrious Mechanics of Europe and AMerica

  • Type: Book
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  • Published: 1847
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  • Publisher: Unknown

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Charles Baudelaire
  • Language: en
  • Pages: 226

Charles Baudelaire

  • Type: Book
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  • Published: 2023-08-22
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  • Publisher: Verso Books

Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history. Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.

The Book of Illustrious Mechanics of Europe and America. Translated by J. Frost
  • Language: en
  • Pages: 374

The Book of Illustrious Mechanics of Europe and America. Translated by J. Frost

  • Type: Book
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  • Published: 1847
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  • Publisher: Unknown

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The Human Motor
  • Language: en
  • Pages: 444

The Human Motor

"Masterfully integrating Europe-wide debates in science, philosophy, technology, economics, and social policy, Rabinbach has provided us with a profoundly original understanding of the productivist obsessions from which we are still painfully freeing ourselves. . . . A splendid example of the mutual enrichment of intellectual and social history. It goes well beyond its central concern with the 'science of work' to illuminate everything it discusses, from Marxism to the social uses of photography, from cultural decadence to the impact of the First World War."—Martin Jay, University of California, Berkeley

Urban Culture
  • Language: en
  • Pages: 422

Urban Culture

"This set includes key pieces from Peter Ackroyd, Charles Baudelaire, Walter Benjamin, Homi Bhaba, Charles Dickens, Fredrick Engles, Paul Gilroy, Thomas Hobbes, Max Weber, George Simmel, Ian Sinclair, Edward W. Soja, Gayatri Spivak, Nigel Thrift, Virginia Woolf, Sharon Zukin, and many others. The material is arranged thematically highlighting the variety of interests that coexist (and conflict) within the city. Issues such as gender, class, race, age and disability are covered along with urban experiences such as walking, politics & protest, governance, inclusion and exclusion. "Urban pathologies," including gangsters, mugging, and drug-dealing are also explored. Selections cover cities from...

Annual Report
  • Language: en
  • Pages: 722

Annual Report

  • Type: Book
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  • Published: 1838
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  • Publisher: Unknown

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The Writer of Modern Life
  • Language: en
  • Pages: 326

The Writer of Modern Life

"In this book Benjamin reveals Baudelaire as a social poet of the very first rank. More than a series of studies of Baudelaire, these essays show the extent to which Benjamin identifies with the poet and enable him to explore his own notion of heroism."--BOOK JACKET.

The Dialectics of Seeing
  • Language: en
  • Pages: 512

The Dialectics of Seeing

  • Type: Book
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  • Published: 1991-07-01
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  • Publisher: MIT Press

Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materiali...