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The Humanist Interpretation of Hieroglyphs in the Allegorical Studies of the Renaissance
The Hieroglyphenkunde by Karl Giehlow published in 1915, described variously by critics as “a masterpiece”, “magnificent”, “monumental” and “incomparable”, is here translated into English for the first time. Giehlow’s work with an initial focus on the Hieroglyphica of Horapollo, the manuscript of which was discovered by Giehlow, was a pioneering attempt to introduce the thesis that Egyptian hieroglyphics had a fundamental influence on the Italian literature of allegory and symbolism and beyond that on the evolution of all Renaissance art. The present edition includes the illustrations of Albrecht Dürer from the Pirckheimer translation of the Horapollo from the early fifteenth century.
Understanding the Middle Ages
Kleinschmidt approaches the western European middle ages as a modern anthropologist would approach analysis of a remote culture. His objectives have something in common with Le Goff, as he seeks to identify with medieval society and culture without the encumbrance of later historical attitudes. This radical study traces the transformation of ideas in western Europe during more than one thousand years between the fifth and sixteenth centuries. Its central concern is to interpret and understand changing attitudes towards time, space, the human body, human and social relationships, productivity and distribution, travel, modes of thought, attitudes to the past, age versus youth, war, faith, and ...
The Last Knight
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
King Arthur's Round Table
Archival and scientific research reveal the origins and purpose of the Winchester Round Table.
Collecting Art in the Italian Renaissance Court
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536
An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.
The Renaissance Print, 1470-1550
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Cultural Hierarchy in Sixteenth-Century Europe
Concentrating on the Habsburg Empire, this book examines the creation of cultural hierarchy in sixteenth-century Europe.
