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The subject of this book is the story of the conflict between Gibbon and those he mockingly dubbed the "Watchmen of the Holy City," and it explores the ramifications of an elusive aspect of authorship. By considering the sequence of interactions between the historian and his readership, Womersley makes possible a more intimate understanding of what might be called Gibbon's experience of himself. At the same time he deepens our knowledge of the conditions of English authorship during the late eighteenth and early nineteenth centuries.
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This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representa...