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A tributação dos clubes de futebol é um tema que carecia da devida sistematização no Direito Tributário. Este trabalho visa, justamente, a ocupação de espaço pouco explorado pela doutrina.
O Projeto Transparência e Cidadania Fiscal no Século XXI propõe reflexões sobre condições de legitimidade das relações tributárias entre o Estado (Fisco-Instituição) e a Sociedade (Cidadão-Contribuinte) em um contexto de transformação das atividades econômicas e das relações sociais.
Hardcover reprint of the original 1801 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Agnesi, Maria Gaetana. Analytical Institutions In Four Books: Originally Written In Italian. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Agnesi, Maria Gaetana. Analytical Institutions In Four Books: Originally Written In Italian, . London: Printed By Taylor And Wilks, 1801. Subject: Mathematics
This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanović explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.
This volume explores the work of one of medieval music's most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the middle ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the Cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as 'a composer'. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay's musical legacy.
Volume for 1947 includes "A list of clandestine periodicals of World War II, by Adrienne Florence Muzzy."