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Alfredo Jaar
A richly illustrated survey of Alfredo Jaar’s Studies on Happiness (1979–1981) and its deep political stakes in the historical context of Chile’s neoliberal transition. Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar’s three-year and seven-phase project, Studies on Happiness, addressed a furtive and fearful population living under Augusto Pinochet’s military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied intervent...
The Taste of Art
The Taste of Art offers a sample of scholarly essays that examine the role of food in Western contemporary art practices. The contributors are scholars from a range of disciplines, including art history, philosophy, film studies, and history. As a whole, the volume illustrates how artists engage with food as matter and process in order to explore alternative aesthetic strategies and indicate countercultural shifts in society. The collection opens by exploring the theoretical intersections of art and food, food art’s historical root in Futurism, and the ways in which food carries gendered meaning in popular film. Subsequent sections analyze the ways in which artists challenge mainstream ide...
Aspects
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943–2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback’s substantial archive, Edward A. Vazquez demonstrates that the artist’s work—with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s—creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback’s site-determined practice draws viewers’ focus to their connection to space and others sharing it. As Vazquez shows, Sandback’s art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.
Selected Correspondence 1950-1984
Voegelin's Munich years, while not without controversy, can be seen as the most successful time in his life, as well as his most creative and prolific as a political philosopher. During that time, Voegelin worked on volume IV of Order and History, and the letters written to successive directors of the Louisiana State University Press, as well as to friends and colleagues, give a vivid account of the changing nature of this seminal project. Voegelin's letters written between 1969 and 1984 provide compelling evidence of the intellectual vigor that characterized his work throughout his life and continued virtually undiminished until the last weeks before his death. Voegelin's realism, his sharp wit, and his superbly developed sense of irony remain evident in the correspondence throughout all these years.
Super Searchers on Mergers & Acquisitions
This guide details how and where M&A experts go online to compile lists of companies that are in the market to buy or sell, find the prices paid for similar businesses, and identify legal issues that may surface in a deal. Business researchers will find sources for hard-to-find information on companies that may be privately held, subsidiaries of another company, or based outside of the United States.
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The Angst-ridden Executive
They met on a plane, back when Pepe Carvalho was still with the CIA, and had a pleasant, forgettable conversation. Years later, a woman shows up in Pepe's office in Barcelona to say that Pepe's seatmate, the industrialist Antonio Jauma, was her husband, and he's been murdered. The police say Jauma was a 'womanizer' and he was murdered buy a pimp. Pepe discovers that Jauma was a womanizer--in "the least pleasant sense", as an associate informs him, but he decides the police are wrong anyway, and goes at the case with his normal, phlegmatic doggedness-that is, with time out for a signature philosophical book-burning or two(Sarte, Sholokhov), cooking a grand meal or two(leek soup, freshly caught steamed turbot, discussing democracy, fascism, and communism with his assistant, and relaxing with his girlfriend Charo, whose last name he can't remember. At least, until he discovers that his own life is in danger for not accepting the official version of Jauma's death.
