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The werewolf is an increasingly popular subject of academic study, and several monographs have been published in recent years. Of these, the closest in format and subject matter (e.g. the contemporary werewolf in popular fiction) are as follows: Chantal Bourgault Du Coudray, The Curse of the Werewolf: Fantasy, Horror, and the Beast Within (New York: I.B. Tauris & Co Ltd, 2006) Brent A. Stypczynski, The Modern Literary Werewolf: A Critical Study of the Mutable Motif (Jefferson, NC and London: McFarland, 2013) Kimberly McMahon-Coleman and Rosalyn Weaver, Werewolves and Other Shapeshifters in Popular Culture (Jefferson NC: McFarland, 2012)
This book explores intersections of theory and practice to engage queer theory and education as it happens both in and beyond the university. Furthering work on queer pedagogy, this volume brings together educators and activists who explore how we see, write, read, experience, and, especially, teach through the fluid space of queerness. The editors and contributors are interested in how queer-identified and -influenced people create ideas, works, classrooms, and other spaces that vivify relational and (eco)systems thinking, thus challenging accepted hierarchies, binaries, and hegemonies that have long dominated pedagogy and praxis.
"Wild by Nature answers the question: how did indigenous animals shape the course of colonization in English America? The book argues that animals acted as obstacles to colonization because their wildness was at odds with Anglo-American legal assertions of possession. Animals and their pursuers transgressed the legal lines officials drew to demarcate colonizers' sovereignty and control over the landscape. Consequently, wild creatures became legal actors in the colonizing process--the subjects of statutes, the issues in court cases, and the parties to treaties--as authorities struggled to both contain and preserve the wildness that made those animals so valuable to English settler societies i...
This introductory general ecology text features a strong emphasis on helping students grasp the main concepts of ecology while keeping the presentation more applied than theoretical. An evolutionary perspective forms the foundation of the entire discussion. The book begins with the natural history of the planet, considers portions of the whole in the middle chapters, and ends with another perspective of the entire planet in the concluding chapter. Its unique organization of focusing only on several key concepts in each chapter sets it apart from the competition. .
An examination of the struggle to conserve biodiversity in urban regions, told through the story of the threatened coastal California gnatcatcher The story of the rare coastal California gnatcatcher is a parable for understanding the larger ongoing struggle to conserve biodiversity in regions confronted with intensifying urban development. Because this gnatcatcher depends on vanishing coastal sage scrub in Southern California, it has been regarded as a flagship species for biodiversity protection since the early 1990s. But the uncertainty of the gnatcatcher’s taxonomic classification—and whether it can be counted as a “listable unit” under the Endangered Species Act—has provoked contentious debate among activists, scientists, urban developers, and policy makers. Synthesizing insights from ecology, environmental history, public policy analysis, and urban planning as she tracks these debates over the course of the past twenty-five years, Audrey L. Mayer presents an ultimately optimistic take on the importance of much-neglected regional conservation planning strategies to create sustainable urban landscapes that benefit humans and wildlife alike.
A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected. Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.