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The son of Jane Austen's 'favourite niece' Fanny Knight, Lord Brabourne, had inherited a large number of letters from Jane Austen including some to her sister Cassandra and others to members of the Knight family. The Letters of Jane Austen (1884) publishes these letters for the first time, and sets them in a family context drawn from the reminiscences of those who knew Austen personally. This second of two volumes presents a series of letters written between 1808 and her death in 1817, that is, mostly in the years she was settled at Chawton in Hampshire. In addition Brabourne includes a little group of poems, and other family documents. The letters cover the years of her career as a publishe...
Reproduction of the original: Letters of Jane Austen by Sarah Chauncey Woolsey
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The son of Jane Austen's 'favourite niece' Fanny Knight, Lord Brabourne, had inherited a large number of letters from Austen including some to her sister Cassandra and others to members of the Knight family. The Letters of Jane Austen (1884) publishes these letters for the first time, and sets them in a family context drawn from the reminiscences of those who knew Austen personally. This first of two volumes begins with a biographical essay and then includes letters from 1796, when Austen was a young woman of twenty preoccupied with social events and the courtship of her friends, to 1807, which found her in lodging with her mother and sister in Southampton, much sobered by the recent death of her father. Her topics are often domestic ('You know how interesting the purchase of a sponge-cake is to me') and her wit is evident throughout.
This volume of selected letters from Jane Austen provides a unique and intimate view into the life and thoughts of the beloved author. Through her correspondence with family and friends, readers will gain insights into Austen's writing process, relationships, and opinions on contemporary society. With an introduction by Austen's great nephew Edward, Lord Brabourne, this book is a must-read for fans of Jane Austen. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, mad...