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"Cast in the companionable journal-notebook style that readers enjoyed in Lueders's 1977 classic The Clam Lake Papers, this new collection of essays, The Salt Lake Papers, follows the author's move from the north woods of Wisconsin to the Intermountain West of Utah. The volume is divided into two sections by location and time. Book One reflects the central geophysical presence of Great Salt Lake, in view from the author's home and the University of Utah campus where he studied and taught. Researched and composed during the 1980s, it is published here for the first time. Book Two ensues with his retirement to the "earthscapes" of the Torrey Capitol Reef area of southern Utah and contemplates the Colorado River system. Hydrology thus provides both the physical and the metaphysical basis for the author's reflective insights and for the natural grounding it gives his advancing thought."--Provided by publisher.
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In everything we have to understand, poetry can help. Tony Hoagland, Harper's , April 2013 In Poem Central: Word Journeys with Readers and Writers , Shirley McPhillips helps us better understand the central role poetry can play in our personal lives and in the life of our classrooms. She introduces us to professional poets, teachers, and students----people of different ages and walks of life---who are actively engaged in reading and making poems. Their stories and their work show us the power of poems to illuminate the ordinary, to nurture, inspire and stand alongside us for the journey. Poem Central is divided into three main parts-;weaving poetry into our lives and our classrooms, reading ...
Often, the decade of the 1920s has been stereotyped with such labels as "The Roaring Twenties," "The Jazz Age," or "The Lost Generation." Historical perspective has forced reevaluation of this decade. Articles in this collection are presented in the most definitive anthology dealing with 1920s America. The contributors have put aside stereotypes to offer a valuable critique of the American dream during a time of major crises. Dancing Fools and Weary Blues also presents its readers a picture of the continual redemption and revitalization of that dream, and reasserts its basic democratic values.
Table of contents
Harry Berger, Jr., has long been one of our most revered and respected literary and cultural critics. Since the late nineties, a stream of remarkable and innovative publications have shown how very broad his interests are, moving from Shakespeare to baroque painting, to Plato, to theories of early culture. In this volume a distinguished group of scholars gathers to celebrate the work of Harry Berger, Jr. To "celebrate," in Berger's words, is "to visit something either in great numbers or else frequently-to go away and come back, go away and come back, go away and come back. Celebrating is what you do the second or third time around, but not the first. To celebrate is to revisit. To revisit i...
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
This book evaluates Carl Van Vechten's contribution to the Harlem Renaissance by presenting hitherto unexamined documentary evidence. The author draws on correspondence, manuscripts, personal memorabilia, and published materials to examine the origins and development of the period in the 1920s which was termed the New Negro Renaissance. In the later years of the 1920s, as a result of the success of his novel, Nigger Heaven, Carl Van Vechten received extensive publicity associating him with Harlem and with the Harlem Renaissance. The vehement controversy which the book aroused among African American critics and the black press, who attacked it, and the African American authors and friends of Van Vechten who defended it, obscured the true extent of Van Vechten's role in the Harlem Renaissance. This study sheds light on the Van Vechten controversy which has continued to the present day. (Ph.D. dissertation, University of Minnesota, 1969; revised with new preface)
Explores how African American men have been marketed, embodied, and imaged for the purposes of racial advancement during the first half of the 20th C.