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Rocking the Classics
This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
Rocking the Classics : English Progressive Rock and the Counterculture
Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate...
Understanding Rock
Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.
Endless Enigma
"Throughout the 1970s, no style of popular music was more controversial than progressive rock, and no progressive rock band was more controversial than Emerson, Lake and Palmer. Initially attracting attention for their unusual keyboards-bass-drums configuration, ELP became hugely popular on both sides of the Atlantic. Fans saw ELP as fulfilling the promise of post-Beatles rock, imaginatively fusing rock, jazz, and classical elements with cutting-edge technology, breathtaking virtuosity, and a monumental stage show. Critics saw ELP as a bombastic assault on rock's working-class and oppositional roots. In this, Edward Macan unravels the enigma that is Emerson, Lake and Palmer."--BOOK JACKET.
Science Fiction in Classic Rock
As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
The Rock Music Imagination
The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rock’s critiques of society and images of dystopia, rock’s inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock’s global reach and potential to provide hope and humanitarian assistance.
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The Routledge History of Social Protest in Popular Music
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
Rock-A My Soul
Rock music and organized religion have suffered a tense relationship for over sixty years. Rockers accuse religious people of being too rigid and irrelevant. People of faith have labeled rock the devil's music" and say that nothing good can come of it. But what if both of these groups are wrong? What if rock music can actually aid one's religious faith and spiritual life? Few styles of music engage the human body as much as rock and roll. From toe tapping to air guitar, listening to rock music, like religious ritual, requires attention to the present moment and can help the listener (or believer) reclaim a sense of identity as a creature of God. In addition, several social causes include bot...
