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In this collection of essays, Petherbridge tells the story of his life in the theatre (low ebbs included), from his first acting lesson to his role in the formation of the democratic Actors' Company and his membership of the Royal Shakespeare Company.
Lord Peter Wimsey and Harriet Vane investigate a dead body on the beach in this “nearly perfect detective story” by the author of Busman’s Honeymoon (Saturday Review). Harriet Vane has gone on vacation to forget her recent murder trial and, more importantly, to forget the man who cleared her name—the dapper, handsome, and maddening Lord Peter Wimsey. She is alone on a beach when she spies a man lying on a rock, surf lapping at his ankles. She tries to wake him, but he doesn’t budge. His throat has been cut, and his blood has drained out onto the sand. As the tide inches forward, Harriet makes what observations she can and photographs the scene. Finally, she goes for the police, but by the time they return the body has gone. Only one person can help her discover how the poor man died at the beach: Lord Peter, the amateur sleuth who won her freedom and her heart in one fell swoop. Have His Carcase is the 8th book in the Lord Peter Wimsey Mysteries, but you may enjoy the series by reading the books in any order. This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.
This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton's fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton's Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner's exhilarating energy as Danton struggles to avoid his inexorable fall.
The thirteenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by crime writer Natasha Cooper - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries. They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride Harriet Vane find the previous owner's body in the cellar. Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style. 'She brought to the detective novel originality, intelligence, energy and wit.' P. D. James
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Innocent or guilty? You decide. Jeffrey Archer's play, The Accused, is a tense courtroom drama with a difference. The audience will act as the jury, as if they were in the Central Criminal Court at the Old Bailey. You will have to decide... Did Dr Sherwood murder his wife? Was Jennifer Mitchell his mistress? Which of his alibis should you believe. The choice will keep you on the edge of your seats, and at the end of the trial you will be invited to deliver your verdict of guilty or not guilty. Once you have made that decision the play will continue - with one of two different endings, depending on your verdict. Only then will you finally discover the truth. The Accused premiered at the Theatre Royal, Windsor, in September 2000.
'An engrossing, intelligent and provocative novel in the guise of a conventional mystery' - New York Times Book Review 'A superb job of seamless collaboration. Thrones, Dominations is pure pleasure.' - Wall Street Journal 1936. Lord Peter Wimsey has returned from his honeymoon, eager to settle into married life with his cherished new wife, the novelist Harriet Vane. As they become part of fashionable London society they encounter the glamorous socialite Rosamund Harwell and her wealthy impressario husband Laurence. Unlike the Wimseys, Rosamund and Laurence are not in love - and all too soon, one of them is dead. It is a murder that only Lord Peter Wimsey can solve . . .
The elegant, intelligent amateur sleuth Lord Peter Wimsey is one of detective literature's most popular creations. Ian Carmichael is the personification of Dorothy L. Sayers' charming investigator in this BBC Radio 4 full-cast dramatization. When Sandy Campbell's body is found at the foot of a cliff near the small town of Kircdubright, the local constabulary are convinced that the argumentative painter is a victim of a tragic accident. But when Lord Peter Wimsey turns up, the hunt begins for an ingenious killer. Faced with six men, all of whom have a motive for murder, the aristocratic amateur sleuth must deduce which are the five red herrings and which has blood on his hands.
'Miraculously right: catching precisely the tone of the relationship . . . thrilling' - The Times 'A must for all Wimsey lovers . . . an entertaining read' - Northern Echo It's 1940, and while the Second World War rages on, Harriet Vane - now Lady Peter Wimsey - has taken her children to safety in the country. But the war has followed them: glamorous RAF pilots and even more glamorous land-girls scandalise the villagers, and the blackout makes the night-time lanes as sinister as the back alleys of London. Then the village's first air raid practice ends with a very real body on the ground - and it's not a war casualty, but a case of plain, old-fashioned murder. And it's not long before a second body is found . . .