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»Er stört mich nicht«, hatte Picasso über den Fotografen Edward Quinn gesagt, nachdem dieser ihn Anfang der 1950er-Jahre erstmals bei der Arbeit im Keramikatelier fotografiert hatte. Das war sicher einer der Gründe, warum Quinn den Künstler von 1951 an über 20 Jahre während seiner Zeit an der Côte d’Azur mit seiner Leica begleiten durfte: im Atelier, ganz privat, mit Künstlerfreunden, beim Stierkampf, in Gesellschaft, mit Geliebten oder einfach beim Friseur. Das Quinn-Archiv beherbergt einen großen Bestand an Fotos von hoher Vertrautheit, die Picasso im Alltagsleben zeigen und seinen eigenwilligen Charakter, seinen Humor, seinen Enthusiasmus auf eine sympathische Art dokumentier...
Alphabetically arranged articles discuss the major events, figures and movements of the twentieth century and how they have been depicted in literature.
150 photographs from the shimmering 1950s on the Côte d'Azur. Stars and celebrities on the street, at gala evenings, and in private moments. The finest vintage images from a total portfolio of over 100,000 negatives.
Edward Said’s Orientalism is a masterclass in the art of interpretation wedded to close analysis. Interpretation is characterized by close attention to the meanings of terms, by clarifying, questioning definitions, and positing clear definitions. Combined with one of the main sub-skills of analysis, drawing inferences and finding implicit reasons and assumptions in arguments, interpretation becomes a powerful tool for critical thought. In Orientalism, the theorist, critic and cultural historian Edward Said uses interpretation and analysis to closely examine Western representations of the “Orient” and ask what they are really doing, and why. One of his central arguments is that Western ...
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"The most everyday object is a vessel; a vehicle of my thoughts." In Picasso's hands, cardboard, paper, and rope metamorphose into a guitar, a goat, a woman. His friend, the great photographer Edward Quinn, a privileged witness to Picasso's creative moments, recreates them here in 80 pages of everyday objects created in an imaginary world.
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Irish-born Edward Quinn (1920-1997) lived and worked on the C te d'Azur since the 1950s and captured all the great stars who lived there."