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A Combat Artist in World War II
A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful...
World War II in American Art
Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.
Army History
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Portrait of an Army
The Army Art Collection has over 10,000 pieces of art which, taken together, provide a wide-ranging visual record of the activities of the U.S. Army, with a clear emphasis on the human dimension of a soldier's life, both in peacetime and in war. Portrait of an Army is a representative selection of work from that collection. The focus of the volume, like that of the artists themselves, is on the composite reality captured in each image, and on the interplay between related images, regardless of chronology. The result is a portrait in its truest sense: a distilling of experience, as remembered in selected, telling details. But it is also a collective portrait, a commemoration of those successive generations of men and women who have served the Army and their country so well. --from publisher's description.
Soldiers
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Drawing: a Search for Form
True competence in drawing is an essential skill for anyone in the graphic arts. In this important book, one of America's most distinguished art teachers guides the reader beyond mere surface fluency to a serious understanding and mastery of the basic structural principles common to all forms, human, animal and natural. The clear, straightforward text and schematic diagrams, photographs and drawings show how these forms express perfectly their growth and function. Drawing the human figure is covered in detail, with emphasis on movement, foreshortening and perspective. The structure and interrelationships of body cavity, arms and legs and head are clearly presented with photographs of male an...
