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Wheeler & Woolsey
During the Depression years, the comedy team of Bert Wheeler and Robert Woolsey were second only to Laurel and Hardy at the box office. Each of their over 20 comedies are analyzed in detail here; full filmographic data, production notes, plot synopses, and critical commentary are provided. The research is supplemented by an interview with Bert Wheeler.
The Columbia Comedy Shorts
Columbia produced over 500 two-reel shorts from 1933 through 1958, with Hollywood's finest comics (the Three Stooges, Andy Clyde, Buster Keaton, Harry Langdon, Charley Chase, others). Fully illustrated with never-before-published photographs, the book chronicles the history of all, including interviews with the veterans. The filmography covers all of the 526 two-reelers: credits, date, synopsis.
Stoogeology
In the world of slapstick comedy, few are more beloved than the Three Stooges. Throughout their 190 short films, they consistently delivered physical, verbal and situational comedy in new and creative ways. Following the trio from outer space to ancient Rome, this volume provides an in-depth look at their comedy and its impact on twentieth century art, culture and thought. This analysis reveals new insights into the language, literary structure, politics, race, gender, ethnicity and even psychology of the classic shorts. It discusses the elements of surrealism within the Stooges films, exploring the many ways in which they created their own reality regardless of time and space. The portrayal of women and minorities and the role of the mistake in Stooges' works are also addressed. Moreover, the book examines the impact that the Columbia Studios style and the austerity of its Short Subjects Department had on the work of the Three Stooges, films that ironically have outlasted more costly and celebrated productions.
SHEMP!
The definitive biography of the great Shemp Howard, an original member of the Three Stooges, and one of Hollywood's most influential actors that Kirkus Reviews calls an "illuminating… reworking of the Stooges mythology" and Patton Oswalt praises as "the only book you will ever need to read about anything. Burn all the other books — there is ONLY SHEMP!" Shemp Howard not only had one of the most distinctive faces of the twentieth century, but was also one of its most accomplished, influential comic actors and showbiz personalities. Along with his brother Moe and comedy violinist Larry Fine, Shemp was an original member of the comedy team that became known as the Three Stooges before he qu...
A Ship Without A Sail
Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius. His lyrics spin with brilliance and sophistication, yet at their core is an unmistakable wistfulness. Rodgers and Hart, who wrote approximately thirty Broadway musicals and dozens of songs for Hollywood films, were an odd couple. Rodgers was precise, punctual, heterosexual, handsome, and eager to be accepted by society. Hart was barely five feet tall, alcoholic, homosexual, and more comfortable in a bar or restaurant than anywhere else. His lyrics are all the more remarkable considering that he never sustained a romantic relationship, living his entire life with his mother, who died only months before his own death at 48. Biographer Marmorstein superbly portrays the life of this exuberant yet troubled artist.--From publisher description.
Dorothy Lee
Dorothy Lee is best remembered for her screen appearances with the popular comedy team of Bert Wheeler and Robert Woolsey. She went from being a struggling vaudeville performer to the female vocalist in one of the most successful bands in the country to a star in the new-fangled "talking pictures" all within the span of a few short years. During the Great Depression, she lived a fairy-tale existence, rubbing shoulders with Hollywood luminaries and earning an income that most people could only dream of. She retired and balanced domestic life with charity work. And she saw, to her amazement, a revived interest in the movie career she had written off long ago. Based on years of conversations between the authors and Dorothy Lee, this book is an informative biography filled with revealing insights on navigating the studio system during Hollywood's Golden Age and the ephemeral nature of fame.
Lloyd Hamilton
At first glance, Lloyd Hamilton was a large, baby-faced comic who walked like a duck. To the trained eye, Hamilton demonstrated keen timing and an inventive mind, providing wry humor rich in emotion during his 20 year career. Perhaps most importantly, Hamilton was greatly admired by his fellow comics, receiving praise from the likes of Charlie Chaplin and Buster Keaton. This book explores Hamilton's life and work, beginning with his conservative, middle-class childhood and continuing through the comic's entry into show business as a theatre extra, his most memorable role as half of silent comedy's "Ham and Bud" duo, and his first feature film, The Darker Self. The author examines Hamilton's private life and alcoholism and the decline of his health and career, which led to his death at the age of 43. The book includes exclusive photographs from the Hamilton family, a filmography with detailed plot descriptions, many behind-the-scenes facts, and an analysis of Hamilton's critical lost feature film A Self-Made Failure.
Harry Langdon
A top vaudeville comedian for the first quarter of the 20th century, Harry Langdon rose from performing in Midwest traveling shows to headlining at the Palace Theatre in New York City. He was compared to Chaplin for his work in the classic silent films Tramp, Tramp, Tramp and The Strong Man, and he is often recognized as one of the "big four silent comedians" alongside Chaplin, Lloyd and Keaton. Later in his career, Langdon appeared in a number of talking films, starring or co-starring in almost a hundred of them between 1924 and 1945 and working with several legendary directors, from Frank Capra to Michael Curtiz. This second edition of the only book-length biography of Langdon includes significant new information, including expanded coverage of his early years and more personal details that fill out the human side to the Langdon story. The book also includes a comprehensive filmography and several photographs from all phases of Langdon's life and career.
The First Hollywood Musicals
As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry's most lucrative genre--until the greedy studios almost killed the genre by glutting the market with too many films that looked and sounded like clones of each other. From the classy movies such as Sunnyside Up and Hallelujah! to failures such as The Lottery Bride and Howdy Broadway, this filmography details 171 early Hollywood musicals. Arranged by subgenre (backstagers, operettas, college films, and stage-derived musical comedies), the entries include studio, release date, cast and credits, running time, a complete song list, any recordings spawned by the film, Academy Award nominations and winners, and availability on video or laserdisc. These data are followed by a plot synopsis, including analysis of the film's place in the genre's history. Includes over 90 photographs.
Strictly Dynamite
Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez—one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her ...
