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The Origins of Self explores the role that selfhood plays in defining human society, and each human individual in that society. It considers the genetic and cultural origins of self, the role that self plays in socialisation and language, and the types of self we generate in our individual journeys to and through adulthood. Edwardes argues that other awareness is a relatively early evolutionary development, present throughout the primate clade and perhaps beyond, but self-awareness is a product of the sharing of social models, something only humans appear to do. The self of which we are aware is not something innate within us, it is a model of our self produced as a response to the models of us offered to us by other people. Edwardes proposes that human construction of selfhood involves seven different types of self. All but one of them are internally generated models, and the only non-model, the actual self, is completely hidden from conscious awareness. We rely on others to tell us about our self, and even to let us know we are a self.
"So here for you is the tale of my latest solitary ramble. The journey covers, as you shall see, some two hundred odd miles, through five southern counties, and was conceived on an unusual plan. For I went neither on foot, nor by any of the wonted means of conveyance beloved of tourists; neither by motor, nor cycle, phaeton nor ambling nag. Moreover, I kept clear of the main roads, and, with two exceptions, the great towns; shunned nearly all the guide-book points of interest; sought out the least frequented lanes and by-paths; and found my history in the happy places that have no history, other than that writ large over their moss-green roofs and lichened walls - the English villages, which - as I look back on the long white road of the journey - lie in the memory now like pearls on a silver string." --Take from dedication.
A novel of psychological terror set in a mental asylum that became the basis for Alfred Hitchcock’s Spellbound starring Ingrid Bergman and Gregory Peck. From the outset, the air that Beeding’s characters breathe crackles with ominous electricity. This is surely what appealed to Alfred Hitchcock when he found Beeding’s The House of Dr. Edwardes and used it as the inspiration for his unforgettable film Spellbound. The “house” of the title is a lunatic asylum in France and Dr. Edwardes is the head psychiatrist. While Edwardes is held in high esteem, an almost iconic figure in psychiatric circles, there is something clearly amiss. The novel opens with a puzzling, ominous episode in whi...
Summary: Provides instructors and teachers with demonstration models, analyses of good technique and a summary of major coaching points for teaching basic flat water skills and white water manoeuvres to novice paddlers.
A simple and comprehensive troubleshooting guide to landscape photography. 100 Ways to Take Better Landscape Photographs is an easy-reference guide to landscape photography. Packed with practical advice and stunning photos, this book will help and inspire photographers of all levels. The book is divided into themed sections and features simple explanations of techniques, which will help both beginners and more advanced photographers get the results they want. The thematic sections cover all areas of landscape photography, including coastal, panoramic, and seasonal, as well as lighting effects, composition, and exposure.