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Explores the role of criminal intent in constituting felony in the first two centuries of the English criminal trial jury.
The late medieval Church obliged all Christians to rebuke the sins of others, especially those who had power to discipline in Church and State: priests, confessors, bishops, judges, the Pope. This practice, in which the injured party had to confront the wrong-doer directly and privately, was known as fraternal correction. Edwin Craun examines how pastoral writing instructed Christians to make this corrective process effective by avoiding slander, insult, and hypocrisy. He explores how John Wyclif and his followers expanded this established practice to authorize their own polemics against mendicants and clerical wealth. Finally, he traces how major English reformist writing - Piers Plowman, Mum and the Sothsegger, and The Book of Margery Kempe - expanded the practice to justify their protests, to protect themselves from repressive elements in the late Ricardian and Lancastrian Church and State, and to urge their readers to mount effective protests against religious, social, and political abuses.
This book analyzes how narrative technique developed from the late Middle Ages to the beginning of the eighteenth-century. The contributors address issues such as subjectivity, performance, voice, narrative time, character development and genre, placing their readings of early modern prose texts within the diachronic frame of the overall topic. Individual chapters will treat texts from a variety of genres, offering analyses of individual texts in the context of changes and developments within literary forms. The book in its entirety will cover a period of approximately 350 years, from 1370 to 1720.
"The unique contribution of Venomous Tongues lies in its interdisciplinary approach and the way it situates scolding within a broader range of issues specific to the legal and social history of the period."—L. R. Poos, The Catholic University of America
This book explores the history and development of English alliterative meter, and considers why the form has remained so enigmatic.
Introduction: Canterbury tales IV-V and literary value -- Clerk -- Merchant -- Squire -- Franklin.
Exploring debt's permutations in Middle English texts, Anne Schuurman makes the bold claim that the capitalist spirit has its roots in Christian penitential theology. Her argument challenges the longstanding belief that faith and theological doctrine in the Middle Ages were inimical to the development of market economies, showing that the same idea of debt is in fact intrinsic to both. The double penitential-financial meaning of debt, and the spiritual paradoxes it creates, is a linchpin of scholastic and vernacular theology, and of the imaginative literature of late medieval England. Focusing on the doubleness of debt, this book traces the dynamic by which the Christian ascetic ideal, in its rejection of material profit and wealth acquisition, ends up producing precisely what it condemns. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
This study shows some of the ways in which medieval Scandinavians received and re-interpreted pre-Christian religion.
In the first book-length study of the whole lifespan in Old English verse, Harriet Soper reveals how poets depicted varied paths through life, including their staging of entanglements between human life courses and those of the nonhuman or more-than-human. While Old English poetry sometimes suggests that uniform patterns shape each life, paralleling patristic traditions of the ages of man, it also frequently disrupts a sense of steady linearity through the life course in striking ways, foregrounding moments of sudden upheaval over smooth continuity, contingency over predictability, and idiosyncrasy over regularity. Advancing new readings of a diverse range of Old English poems, Soper draws on an array of supporting contexts and theories to illuminate these texts, unearthing their complex and fascinating depictions of ageing through life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Mark Faulkner offers a compelling new narrative of what happened to English-language writing after the Norman Conquest of 1066.