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A World of Empires
Edyta Bojanowska uses Ivan Goncharov's gripping travelogue--a bestseller in nineteenth-century Russia--as a unique eyewitness account of empire in action. Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an assertive empire eager to emulate European powers and determined to define Russia against them.--
A World of Empires
Through the lens of a classic Russian travelogue, this historical study examines early globalization and Russia’s participation in the Imperial race. In the 1850s, American Commodore Matthew Perry embarked on a legendary expedition to open trade relations with Japan. Less well known is the Russian expedition that followed on his heels. Serving aboard the Russian Frigate Pallada was the novelist Ivan Goncharov, who turned his impressions into a bestselling book. In A World of Empires, Edyta Bojanowska uses Goncharov’s travelogue as a window onto mid-19th century global imperialism. Goncharov recounts experiences in Africa’s Cape Colony, Dutch Java, Spanish Manila, Japan, and the British...
Nikolai Gogol
The 19th-century author Nikolai Gogol occupies a key place in the Russian cultural pantheon as an ardent champion of Russian nationalism. In exploring Gogol's fluctuating nationalist commitments, Bojanowska traces the connections between the Russian and Ukrainian nationalist paradigms in his work and situates both in the larger imperial context.
Mikhail Kuzmin
Mikhail Kuzmin (1872-1936), Russia's first openly gay writer, stood at the epicenter of the turbulent cultural and social life of Petersburg-Petrograd-Leningrad for over three decades. A poet of the caliber of Aleksandr Blok, Vladimir Mayakovsky, Boris Pasternak, Osip Mandelshtam, and Marina Tsvetaeva (and acknowledged as such by them and other contemporaries), Kuzmin was also a prose writer, playwright, critic, translator, and composer who was associated with every aspect of modernism's history in Russia, from Symbolism to the Leningrad avant-gardes of the 1920s. Only now is Kuzmin beginning to emerge from the "official obscurity" imposed by the Soviet regime to assume his place as one of Russia's greatest poets and one of this century's most characteristic and colorful creative figures. This biography, the first in any language to be based on full and uncensored access to the writer's private papers, including his notorious Diary, places Kuzmin in the context of his society and times and contributes to our discovery and appreciation of a fascinating period and of Russia's long suppressed gay history.
The War Within
Winner of the Pushkin House Russian Book Prize Winner of the AATSEEL Book Prize Winner of the University of Southern California Book Prize Honorable Mention, Reginald Zelnik Book Prize “Stand aside, Homer. I doubt whether even the author of the Iliad could have matched Alexis Peri’s account of the 872-day siege which Leningrad endured.” —Jonathan Mirsky, The Spectator “Fascinating and perceptive.” —Antony Beevor, New York Review of Books “Powerful and illuminating...A fascinating, insightful, and nuanced work.” —Anna Reid, Times Literary Supplement “A sensitive, at times almost poetic examination.” —Robert Legvold, Foreign Affairs In September 1941, two and a half m...
Eurasia Without Borders
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union an...
Modernism and Revolution
Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
Fiction and Society in the Age of Pushkin
Todd describes the ideology of the educated westernized gentry, then charts the possibilities for literary life: first patronage, the salons, popular literature; then rapid emergence of an incipient literary profession. He explores the interactions of literature and society as writers "discovered" their own milieu and were discovered by it.
To See Paris and Die
After Stalin died a torrent of Western novels, films, and paintings invaded Soviet streets and homes. Soviet citizens invested these imports with political and personal significance, transforming them into intimate possessions. Eleonory Gilburd reveals how Western culture defined the last three decades of the Soviet Union, its death, and afterlife.
The King of Time
Velimir Khlebnikov is one of the great Russian poets of the 20th century. Hailed by contemporaries and by later scholars as the creative genius behind the Russian Futurist movement, Khlebnikov is famous for his inaccessibility. Now, in a powerful American rendition, we are given access to his strange and beautiful world.
