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The Marriage of Anansewa
Ananse's beautiful daughter, Anansewa, is his most valuable asset - if he can persuade one of the country's chiefs to marry her. But what if Anansewa doesn't love the chief? A small problem compared to what will happen if all the chiefs decide they want to marry Anansewa! Part farce, part serious social comment The Marriage of Anansewa is a fast-moving story of greed and cunning - with just a hint of youthful romance.
The Legacy of Efua Sutherland
The work of Efua Sutherland, Ghanaian playwright, poet, scholar, pioneering institution-builder and cultural activist is examined in this incisive collection of scholarly essays by leading academics in the field. This anthology includes interviews and articles on topics such as gender issues in cultural development, children's literature, community theatre and Black Atlantic crossings.
Foriwa
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Edufa
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FonTomFrom
Includes articles, annotated filmography, interviews, creative writing, and book reviews.
Tahinta!
Tahinta! is a story of a boy who went walking through the forest to go fishing in the River Birim. The boy becomes unhappy when he fails to catch any fish. Then all of a sudden, he catches a mud fish. But just as he was preparing to go home, the White Ghost comes walking across the river, and robs the boy of his fish.
Reclaiming the Human Sciences and Humanities Through African Perspectives
This compilation was inspired by an international symposium held on the Legon campus in September 2003. Hosted by the CODESRIA African Humanities Institute Programme, the symposium had the theme 'Canonical Works and Continuing Innovation in African Arts & Humanities'.
West African Poetry
Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe? In committing their work to writing, do poets lose more than they gain? Can the immediacy of oral performance ever be recovered? Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the Négritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter.
FonTomFrom
Includes articles, annotated filmography, interviews, creative writing, and book reviews.
Black Performance on the Outskirts of the Left
Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
